{"id":10088,"date":"2021-09-29T12:36:31","date_gmt":"2021-09-29T10:36:31","guid":{"rendered":"https:\/\/stage.neukoellneroper.de\/?page_id=10088"},"modified":"2022-09-29T13:28:13","modified_gmt":"2022-09-29T11:28:13","slug":"season-2021-22","status":"publish","type":"page","link":"https:\/\/www.neukoellneroper.de\/en\/season-2021-22\/","title":{"rendered":"SEASON 2021\/22"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full is-style-rounded\"><img width=\"1000\" height=\"667\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2021\/09\/no_fp_DSF5231_klein3.jpg\" alt=\"\" class=\"wp-image-10405\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2021\/09\/no_fp_DSF5231_klein3.jpg 1000w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2021\/09\/no_fp_DSF5231_klein3-768x512.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2021\/09\/no_fp_DSF5231_klein3-50x33.jpg 50w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p><strong>STRONG TEAMS<br><\/strong>Stegreif Orchester, Ulrike Schwab, Hakan Sava\u015f Mican, Moritz Rinke, Peter Lund, Trickster Orchestra, Ensemble The Present, Sir Henry, Diana Syrse and many more are shaping the 2021\/22 season. Their artistic signatures are as diverse and varied as our diverse society. And since it is constantly changing and must change, all our productions are united by the<\/p>\n\n\n\n<p><strong>DESIRE FOR CHANGE<\/strong>.<br>If you want to act, you need dreams. That&#8217;s why we write plays and music. New ones every year, and different ones every year. Our dream remains, it tells of a fair life also for others who have fewer opportunities than we do. The future begins now and through us, for a world without climate catastrophes, poverty and injustice. For this, we need lots of inspiration, music, stories and of course, and not least, humor.<br>So our topic is transformation &#8211; in ourselves, in society, economy, culture (institutions). For this we have<\/p>\n\n\n\n<p><strong>ELEVEN PLAYS AND SERIES<\/strong><br>invented. Some are explicitly about climate change, like the performance series with<a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/form-follows-crisis\/\"> THE PRESENT<\/a> and <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/das-lied-von-der-erde\/\">NEUE LIEDER VON DER ERDE<\/a> with the Stegreif Orchestra, activists and initiatives from Berlin and the surrounding area.<br>Other productions circle aspects of change on further levels.<br>We started with an experience under the stars: <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/giovanni-eine-passion\/\" data-type=\"play\" data-id=\"8698\">GIOVANNI.EINE PASSION<\/a> asked about the possibilities and limits of self-awareness and self-expression. <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/berlin-karl-marx-platz\/\" data-type=\"play\" data-id=\"9919\">BERLIN KARL-MARX-PLAT<\/a>Z sang in the setting of a band performance with hit songs the &#8220;love song&#8221; of a young couple in Neuk\u00f6lln at the beginning of the 90s, when suddenly there was only one system of values and society. <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/der-mann-der-sich-beethoven-nannte\/\" data-type=\"play\" data-id=\"10148\">THE MAN WHO CALLED HIMSELF BEETHOVEN<\/a> comes back after more than two centuries, hears himself again in a completely different musical language and asks questions: about our cultural life and about how far we have come with his credo of equality, freedom and justice. <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/eine-stimme-fuer-deutschland\/\" data-type=\"play\" data-id=\"8116\">EINE STIMME F\u00dcR DEUTSCHLAND<\/a> plays through oblique positions and motifs of the last election campaign once again in all musical registers, lusty, cheeky and absolutely non-pc. <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/lili\/\" data-type=\"play\" data-id=\"10282\">LILI<\/a> recalls the fascinating work and life of Lili Boulanger &#8211; why must such talents die at 24? And why are female composers played so little to this day? With <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/schoener-wohnen\/\" data-type=\"play\" data-id=\"5982\">SCH\u00d6NER WOHNEN<\/a>, Amy Stebbins and Sir Henry perform a contemporary take on a Tiny Apartment.<\/p>\n\n\n\n<p><strong>25 YEARS OF EDUCATION ON OUR STAGE<\/strong><br>In 2022, we celebrate 25 years of cooperation with the UdK&#8217;s musical\/show department. In <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/paradise-lost\/\" data-type=\"play\" data-id=\"12026\">PARADISE LOST<\/a>, the successful team Zaufke &amp; Lund write a revue about the beauties, challenges and dangers of the art form musical. <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/mexico-aura\/\" data-type=\"play\" data-id=\"11989\">MEXICO AURA<\/a> connects Berlin with Mexico and a globalized, post(?)colonial world in the Humboldt Forum and with an international MusikDanceTheatre. A play around art objects, myths and everyday reality between prehispanic sounds and modern sounds of the young composer Diana Syrse.<\/p>\n\n\n\n<p><strong>AND ON IN THE CITY<\/strong><br>Three program series spanning and deepening the season will play in selected venues and new stages in the city: The finalist production of <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/composition\/\" data-type=\"play\" data-id=\"12345\">comPOSITION<\/a>, our BERLINER OPERNPREIS, invites you to the Kulturstall Britz, including a supporting program. The new cooperation with the vocal ensemble THE PRESENT creates performative programs on climate change at different locations. Our <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-2\/\" data-type=\"play\" data-id=\"10368\">WUNDERKAMMER<\/a> series &#8211; where music and current sciences are combined to create a different view of the world &#8211; invites curious audiences to special &#8220;resonance spaces&#8221;, including the Prinzessinnengarten Neuk\u00f6lln, the Alte Museum in Mitte and the Oriental Garden in the G\u00e4rten der Welt Marzahn.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Photo: Maya Alban-Zapata and Christian Kerepeszki in <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/der-mann-der-sich-beethoven-nannte\/\" data-type=\"play\" data-id=\"10148\">Der Mann der sich Beethoven nannte<\/a> | \u00a9 Matthias Heyde <\/p>\n","protected":false},"excerpt":{"rendered":"<p>STRONG TEAMSStegreif Orchester, Ulrike Schwab, Hakan Sava\u015f Mican, Moritz Rinke, Peter Lund, Trickster Orchestra, Ensemble The Present, Sir Henry, Diana Syrse and many more are shaping the 2021\/22 season. Their artistic signatures are as diverse and varied as our diverse society. And since it is constantly changing and must change, all our productions are united [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":9894,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_teasertitle":"","_hidetitle":false,"_titletag":"","_marqueeTitle":false,"_subtitle":"Desire for change","_locale":"en_US","_original_post":"https:\/\/www.neukoellneroper.de\/?page_id=10082","_onepager":[],"_onepager_single":false,"_pinkie_id":0,"footnotes":"","_post-color":{"background":"#edba3d","text":"#000000"}},"class_list":["post-10088","page","type-page","status-publish","has-post-thumbnail","hentry","en-US"],"_links":{"self":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/pages\/10088","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/comments?post=10088"}],"version-history":[{"count":21,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/pages\/10088\/revisions"}],"predecessor-version":[{"id":13723,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/pages\/10088\/revisions\/13723"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media\/9894"}],"wp:attachment":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media?parent=10088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}