{"id":6442,"date":"2020-08-03T15:00:40","date_gmt":"2020-08-03T13:00:40","guid":{"rendered":"https:\/\/www.neukoellneroper.de\/?page_id=6442"},"modified":"2026-02-05T16:19:40","modified_gmt":"2026-02-05T15:19:40","slug":"coproduction-udk","status":"publish","type":"page","link":"https:\/\/www.neukoellneroper.de\/en\/coproduction-udk\/","title":{"rendered":"Musical with UdK Berlin"},"content":{"rendered":"\n
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DRACHENHERZ \u00a9 Nasser Hashemi<\/figcaption><\/figure>\n\n\n\n

Musical is a little different at Neuk\u00f6llner Oper: where dancing cats and singing vampires usually populate the stage, since 1997 works have been created in a co-production between Neuk\u00f6llner Oper and the Musical\/Show program at the Berlin University of the Arts (UdK) that reflect contemporary life in all its facets. This unique collaboration was initiated by Peter Lund, who, as the former artistic director of the Neuk\u00f6llner Oper and head of the Musical program at UdK, built an exceptionally creative and fruitful bridge between the two institutions. Starting from improvisations, Peter Lund quite literally wrote the roles to fit the young performers.<\/p>\n\n\n\n

Despite changes in leadership over the years, this tradition has continued to this day. It allows young performers to present themselves to the public for the first time in a fully realized production at a professional theatre, thus providing an ideal start to their stage careers. In turn, audiences experience a one-of-a-kind musical theatre event, shaped above all by the unique energy of young people.<\/p>\n\n\n\n

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BIS KEINER WEINT \u00a9 Thomas Koy<\/figcaption><\/figure>
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PARADISE LOST \u00a9 Thomas Koy<\/figcaption><\/figure>
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EINE STIMME F\u00dcR DEUTSCHLAND \u00a9 Matthias Heyde <\/figcaption><\/figure>
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DRACHENHERZ \u00a9 Nasser Hashemi <\/figcaption><\/figure>
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<\/figcaption><\/figure><\/div>\n\n\n\n
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Previously<\/h2>\n\n\n\n
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\u00a9 Thomas Koy<\/figcaption><\/figure>
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2023: Bis keiner weint<\/h2>\n\n\n\n

Ein Meinungsm\u00e4rchen mit Musik
By Constanze Behrends \/ Franziska Kuropka and Lukas Nimschek<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2022: Paradise Lost \u2013 the Genesis of Musical<\/h2>\n\n\n\n

By Thomas Zaufke and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2021: Eine Stimme f\u00fcr Deutschland<\/h2>\n\n\n\n

By Thomas Zaufke and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2019: Drachenherz<\/h2>\n\n\n\n

By Wolfgang B\u00f6hmer and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2018: Welcome to Hell – Musical<\/h2>\n\n\n\n

By Peter Michael von der Nahmer and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2017: Kopfkino<\/h2>\n\n\n\n

By Thomas Zaufke and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2015: Grimm<\/h2>\n\n\n\n

By Thomas Zaufke and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2014: Schwestern im Geiste<\/h2>\n\n\n\n

By Thomas Zaufke and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2013: Stimmen im Kopf<\/h2>\n\n\n\n

By Thomas Zaufke and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2011: Frau Zucker will die Weltherrschaft<\/h2>\n\n\n\n

By Wolfgang B\u00f6hmer and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2010: Mein Avatar und ich<\/h2>\n\n\n\n

By Thomas Zaufke and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2009: Leben ohne Chris<\/h2>\n\n\n\n

By Wolfgang B\u00f6hmer and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2007: Kauf dir ein Kind<\/h2>\n\n\n\n

By Thomas Zaufke and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2006: Maja & Co<\/h2>\n\n\n\n

Insect Operetta after Jacques Offenbach<\/p>\n\n\n\n

\n
Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2005: Erwin Kannes \u2013 Trost der Frauen<\/strong><\/h2>\n\n\n\n

By Thomas Zaufke and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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2004: Panik Sound Club<\/strong><\/h2>\n\n\n\n

By Niclas Ramdohr and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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Assassins<\/figcaption><\/figure>
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2002: Assassins<\/strong><\/h2>\n\n\n\n

By Stephen Sondheim<\/p>\n\n\n\n

\n
Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
\n

2001: Love Bite<\/strong><\/h2>\n\n\n\n

By Wolfgang B\u00f6hmer and Peter Lund<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"<\/figure>
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1999: How to succeed in business without really trying<\/strong><\/strong><\/h2>\n\n\n\n

By Frank Loesser<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
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1998: Boys von Syrakus<\/strong><\/strong><\/strong><\/h2>\n\n\n\n

By Richard Rogers<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
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1997: Boys von Syrakus<\/strong><\/strong><\/strong><\/h2>\n\n\n\n

By George Gershwin<\/p>\n<\/div><\/div>\n\n\n\n

\n\n\n\n

25 Years\u2026<\/strong><\/h2>\n\n\n\n

Greeting by Peter Lund on the occasion of 25 years of cooperation between NO and the Musical\/Show Class of UdK<\/p>\n\n\n\n

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Learn more<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Musical is a little different at Neuk\u00f6llner Oper: where dancing cats and singing vampires usually populate the stage, since 1997 works have been created in a co-production between Neuk\u00f6llner Oper and the Musical\/Show program at the Berlin University of the Arts (UdK) that reflect contemporary life in all its facets. This unique collaboration was initiated […]<\/p>\n","protected":false},"author":14,"featured_media":11110,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_teasertitle":"","_hidetitle":false,"_titletag":"","_marqueeTitle":false,"_subtitle":"","_locale":"en_US","_original_post":"https:\/\/www.neukoellneroper.de\/?page_id=5149","_onepager":[],"_onepager_single":false,"_pinkie_id":11110,"footnotes":"","_post-color":[]},"class_list":["post-6442","page","type-page","status-publish","has-post-thumbnail","hentry","en-US"],"_links":{"self":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/pages\/6442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/comments?post=6442"}],"version-history":[{"count":18,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/pages\/6442\/revisions"}],"predecessor-version":[{"id":23249,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/pages\/6442\/revisions\/23249"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media\/11110"}],"wp:attachment":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media?parent=6442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}