{"id":9622,"date":"2021-09-10T12:18:46","date_gmt":"2021-09-10T10:18:46","guid":{"rendered":"https:\/\/stage.neukoellneroper.de\/?page_id=9622"},"modified":"2026-05-11T14:50:45","modified_gmt":"2026-05-11T12:50:45","slug":"team","status":"publish","type":"page","link":"https:\/\/www.neukoellneroper.de\/en\/team\/","title":{"rendered":"Team"},"content":{"rendered":"\n

Board Of Directors<\/h2>\n\n\n\n

Andreas Altenhof<\/a> (Director of Marketing), Rainer Simon<\/a> (Artistic Director), Marta Hewelt<\/a> (Executive Director)<\/p>\n\n\n\n

\"Portr\u00e4t
Andreas Altenhof
<\/strong>Director Communikation & Press
altenhof@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Portr\u00e4t
Rainer Simon<\/strong>
Artistic Director
simon@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Portr\u00e4t
Marta Hewelt<\/strong>
Executive Director
hewelt@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Kuscheltier
Ronald Davila<\/strong>
Sound<\/figcaption><\/figure>
\"Portr\u00e4t
Dennis Depta
<\/strong>Dramaturgy
depta@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Zwei
Anne Van De Wetering
<\/strong>Dramaturgy
vandewetering@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Portr\u00e4t
Gustavo Rann Higuera
<\/strong>Cleaning Service<\/figcaption><\/figure>
\"Portr\u00e4t
Rebekka Gruber
<\/strong>Artistic Administration
kbb@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Portr\u00e4t
Vanda Hehr
<\/strong>Service Management<\/figcaption><\/figure>
\"Portr\u00e4t
Marcus Holst
<\/strong>Ticket Office & Bar<\/figcaption><\/figure>
\"Portr\u00e4t
Matthias K\u00e4hlert
<\/strong>Communication
kaehlert@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Portr\u00e4t
Christina K\u00e4mper
<\/strong>Costume Director
kostuem@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Portr\u00e4t
Martine Klein
<\/strong>Ticket Office
tickets@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Ein
Anne-Claire Meyer
<\/strong>Hair & Make-Up<\/figcaption><\/figure>
\"Portr\u00e4t
Josef Mratschnigger
<\/strong>Administration
<\/a>mratschnigger@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Portr\u00e4t
Sophie Reavley
<\/strong>Event Management<\/figcaption><\/figure>
\"Portr\u00e4t
Patricia Reiche
<\/strong>Reception & Ticket Office
zentrale@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Geweih
Kim Titzmann
<\/strong>Technichal Production Management
technik@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Portr\u00e4t
Kathy Tomkins
<\/strong>Costume
kostuem@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Ein
Helmut Topp<\/strong>
Technichal Director
technik@neukoellneroper.de<\/a><\/figcaption><\/figure>
\"Portr\u00e4t
Regina Triebel
<\/strong>Event Management<\/figcaption><\/figure>
\"\"
Paul Wiedemann
<\/strong>Intern<\/figcaption><\/figure>
\"Ein
Godzilla<\/strong><\/figcaption><\/figure>
\"Ein
Wiebke<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Images \u00a9 Peter van Heesen<\/p>\n\n\n\n

PartnerS<\/h2>\n\n\n\n
\n
Balletto Civile, Parma<\/a><\/div>\n\n\n\n
Berliner Senatsverwaltung f\u00fcr Kultur und Europa<\/a><\/div>\n\n\n\n
Bundeszentrale f\u00fcr politische bildung<\/a><\/div>\n\n\n\n
Companyia Dei Furbi, Barcelona<\/a><\/div>\n\n\n\n
Csaba Polg\u00e1r\/HOPPart, Budapest<\/a><\/div>\n\n\n\n
Fachbereich Kultur des Bezirksamtes Neuk\u00f6lln<\/a><\/div>\n\n\n\n
Finanzgruppe Deutscher Sparkassen- und Giroverband<\/a><\/div>\n\n\n\n
Fonds Darstellender K\u00fcnste e.V.<\/a><\/div>\n\n\n\n
Friedrich Ebert Stiftung<\/a><\/div>\n\n\n\n
GASAG<\/a><\/div>\n\n\n\n
Generalkonsulat der Bundesrepublik Deutschland Thessaloniki<\/a><\/div>\n\n\n\n
Goethe\u2013Institut Athen<\/a><\/div>\n\n\n\n
Goethe\u2013Institut Lissabon<\/a><\/div>\n\n\n\n
Goethe\u2013Institut Prag<\/a><\/div>\n\n\n\n
Goethe\u2013Institut Verbindungsb\u00fcro Skopje<\/a><\/div>\n\n\n\n
Grec Festival de Barcelona<\/a><\/div>\n\n\n\n
Hochschule f\u00fcr Musik \u201eHanns Eisler\u201c, Berlin<\/a><\/div>\n\n\n\n
Hochschule f\u00fcr Schauspielkunst \u201eErnst Busch\u201c<\/a><\/div>\n\n\n\n
Institut Ramon Llull, Berlin<\/a><\/div>\n\n\n\n
Fondazione Luzzati-Teatro della Tosse, Genua<\/a><\/div>\n\n\n\n
Fonds Podiumskunsten der Niederlande<\/a><\/div>\n\n\n\n
Gedenkst\u00e4tte Stiller Helden<\/a><\/div>\n\n\n\n
Griechische Kulturstiftung Berlin<\/a><\/div>\n\n\n\n
Hauptstadtkulturfonds<\/a><\/div>\n\n\n\n
Heinrich B\u00f6ll Stiftung<\/a><\/div>\n\n\n\n
Hochschul\u00fcbergreifendes Zentrum Tanz<\/a><\/div>\n\n\n\n
Instituto Cervantes Berlin<\/a><\/div>\n\n\n\n
Instytut Polski w Berlinie<\/a><\/div>\n\n\n\n
Italienisches Kulturinstitut Berlin<\/a><\/div>\n\n\n\n
Jobcenter Berlin-Neuk\u00f6lln<\/a><\/div>\n\n\n\n
K\u00f6nigreich der Niederlande<\/a><\/div>\n\n\n\n
Kulturnetzwerk Neuk\u00f6lln<\/a><\/div>\n\n\n\n
Kulturprojekte Berlin GmbH<\/a><\/div>\n\n\n\n
Kulturstiftung des Bundes<\/a><\/div>\n\n\n\n
Musiktheatertage Wien<\/a><\/div>\n\n\n\n
Stiftung Flucht,Vertreibung, Vers\u00f6hnung<\/a><\/div>\n\n\n\n
Thessaloniki Concert Hall Organisation<\/a><\/div>\n\n\n\n
Operadagen Rotterdam<\/a><\/div>\n\n\n\n
Schering Stiftung<\/a><\/div>\n\n\n\n
STIFTUNG HUMBOLDT-FORUM<\/a><\/div>\n\n\n\n
Rum\u00e4nisches Kulturinstitut Berlin<\/a><\/div>\n\n\n\n
Talimhane Tiyatrosu Istanbul<\/a><\/div>\n\n\n\n
Teatro delle Tosse, Genua<\/a><\/div>\n\n\n\n
Teatro Due, Parma<\/a><\/div>\n\n\n\n
Theater Freiburg<\/a><\/div>\n\n\n\n
The Beggars\u2018 Operas, Athen<\/a><\/div>\n\n\n\n
The Hope Scott Trust<\/a><\/div>\n\n\n\n
Theaterscoutings Berlin<\/a><\/div>\n\n\n\n
Tip Berlin<\/a><\/div>\n\n\n\n
TUSCH \u2013 Theater und Schulen<\/a><\/div>\n\n\n\n
Universit\u00e4t der K\u00fcnste Berlin<\/a><\/div>\n\n\n\n
WG-Gesucht.de<\/a><\/div>\n\n\n\n
Zapf\u2013Umz\u00fcge<\/a><\/div>\n<\/div>\n\n\n\n

The Neuk\u00f6llner Oper is a member of<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Board Of Directors Andreas Altenhof (Director of Marketing), Rainer Simon (Artistic Director), Marta Hewelt (Executive Director) Images \u00a9 Peter van Heesen PartnerS The Neuk\u00f6llner Oper is a member of<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_teasertitle":"","_hidetitle":false,"_titletag":"","_marqueeTitle":false,"_subtitle":"","_locale":"en_US","_original_post":"58","_onepager":[],"_onepager_single":false,"_pinkie_id":0,"footnotes":"","_post-color":[]},"class_list":["post-9622","page","type-page","status-publish","hentry","en-US"],"_links":{"self":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/pages\/9622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/comments?post=9622"}],"version-history":[{"count":47,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/pages\/9622\/revisions"}],"predecessor-version":[{"id":24178,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/pages\/9622\/revisions\/24178"}],"wp:attachment":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media?parent=9622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}