{"id":10368,"date":"2021-10-01T16:00:51","date_gmt":"2021-10-01T14:00:51","guid":{"rendered":"https:\/\/www.neukoellneroper.de\/?post_type=play&#038;p=10368"},"modified":"2024-09-27T15:43:47","modified_gmt":"2024-09-27T13:43:47","slug":"wunderkammer-2","status":"publish","type":"play","link":"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-2\/","title":{"rendered":"WUNDERKAMMER-Series"},"content":{"rendered":"\n<p>Could we face our lives and this (mostly complicated) world in any other way than the usual way? Could there also be happiness in this?<\/p>\n\n\n\n<p>In the event series WUNDERKAMMER music, science and philosophy combine with a somewhat different view of the world, based on selected phenomena from our everyday life. In doing so, the mirrored cabinets of the historical Wunderkammern offer us a productive, sensual echo chamber in which we bring contemporary experiences into relationship and resonance with figures of thought from antiquity and the Renaissance.<\/p>\n\n\n\n<p>The chambers of wonder around 1600 &#8211; predecessors of today&#8217;s museums &#8211; placed their often bizarre exhibits of art, craft, nature and science in a holistic &#8220;world context&#8221; that we often lack today. Inspired by this, the Neuk\u00f6llner Oper designs new, own WUNDERKAMMERN, which bring together a curious audience with experts from music, science and art. Music is the most important ally here and a kind of messenger, in its vibrational field we put together finds, stories and experiments from then and now &#8211; and try ourselves in wonder, which opens up a highly productive attitude to the world with the &#8220;curiosity of the child and that of the scholar&#8221; (Alexander von&nbsp;Humboldt).<\/p>\n\n\n\n<p>The WUNDERKAMMER series began in the fall of 2020 and offered a sequence of 9 programs and 3 revivals until the summer of 2023: 30 performances at 7 selected venues in Berlin.<\/p>\n\n\n\n<p>At the beginning of the 2023\/24 season, there will be two new programs on TIME and DEVOTION, before entering a third season focussing on &#8220;<a href=\"https:\/\/www.neukoellneroper.de\/en\/wunderkammer-trilogie-in-2024\/\" data-type=\"post\" data-id=\"17699\">IM PRINZIP HOFFNUNG<\/a> (Hopeful in principle)&#8221; in spring 2024.<\/p>\n\n\n\n<p>The programs take place in collaboration and with the support of the Ernst Schering Foundation as well as in cooperation with the participating institutions that host the WUNDERKAMMER.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Conception and moderation<\/strong><br>Bernhard Glocksin, Artistic Director of the Neuk\u00f6llner Oper<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Conception, research, set design<\/strong><br>Sabrina Rossetto, Architect &amp; Stage Designer<\/p>\n\n\n\n<p class=\"has-text-align-center\">In Cooperation with<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img width=\"340\" height=\"131\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/print_logo_schering-stiftung.png\" alt=\"\" class=\"wp-image-8632\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/print_logo_schering-stiftung.png 340w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/print_logo_schering-stiftung-50x19.png 50w\" sizes=\"auto, (max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"upcoming-shows\">PAST WUNDERKAMMER-Evenings:<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img width=\"1100\" height=\"788\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Utopia-1-1100x788.jpg\" alt=\"\" class=\"wp-image-19723 size-full landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Utopia-1-1100x788.jpg 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Utopia-1-768x550.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Utopia-1-1536x1101.jpg 1536w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Utopia-1-2048x1468.jpg 2048w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Utopia-1-50x36.jpg 50w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>WUNDERKAMMER: IM PRINZIP HOFFNUNG III \u2013 UTOPIE<\/strong><\/p>\n\n\n\n<p>In the final stage of our trilogy Im Prinzip Hoffnung, we set off, like some utopians before us, on a boat trip in search of the island of Utopia, on the waters of the Spree and along the skyline of our city.<\/p>\n\n\n\n<p><strong>WITH<\/strong> Ilija Trojanow, Greta Taubert, Paulina Fr\u00f6hlich, collective \u201cSelbstgebaute Musik\u201dt<\/p>\n\n\n\n<p><strong>22.\/23. September 2024, Boat trip on the Spree<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammertrilogie-im-prinziphoffnung-iii-utopie\/\">LEARN MORE<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img width=\"1100\" height=\"782\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/03\/image.jpeg\" alt=\"Dieses Bild hat ein leeres Alt-Attribut. Der Dateiname ist WK_HF_ETHIK-1100x782.jpg\" class=\"wp-image-18425 size-full landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/03\/image.jpeg 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/03\/image-768x546.jpeg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/03\/image-50x36.jpeg 50w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>WUNDERKAMMER: IM PRINZIP HOFFNUNG II \u2013 ETHIK <\/strong><\/p>\n\n\n\n<p>Im Humboldt Labor, dieser <em>Wunderkammer des 21. Jahrhunderts,<\/em> erkunden wir Exponate und n\u00e4hern uns dem Thema aus unterschiedlichen Perspektiven: einer Natur- und Neurowissenschaftlichen, einer Geisteswissenschaftlichen und einer Theologischen. Welche Werte navigieren uns durch Alltag, Konflikt und Leben? Was, wenn sich Werte widersprechen, wie Freiheit und Sicherheit? &nbsp;Und was, wenn es uns selbst ins Dilemma bringt? Auch das wollen wir \u2013 ganz konkret und im Spiel miteinander \u2013 herausfinden und in die Praxis \u00fcberf\u00fchren. Lassen Sie sich \u00fcberraschen!<br><br><strong>MIT <\/strong>Prof. Dr. Friederike Seyfried, Dr. Olivia Zorn (\u00c4gyptische Sammlung, Neues Museum), Prof. Dr. Eva Weber-Guskar (Universit\u00e4t Bochum Institut f\u00fcr Philosophie) u.a. sowie den Musiker*innen Wassim Mukdad (Oud, Gesang), Shingo Ali Masuda (Kanun), Penelope Gkika (Geige) und Kimia Bani (Perkussion)<\/p>\n\n\n\n<p><strong>27.\/28. Juni 2024, Humboldt Labor at Humboldt Forum<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-im-prinzip-hoffnung-2-ethik\/\">LEARN MORE<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img width=\"1100\" height=\"943\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/12\/Wunderkammer-1100x943.jpg\" alt=\"\" class=\"wp-image-17667 size-full landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/12\/Wunderkammer-1100x943.jpg 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/12\/Wunderkammer-540x463.jpg 540w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/12\/Wunderkammer-768x659.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/12\/Wunderkammer-50x43.jpg 50w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/12\/Wunderkammer.jpg 1446w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><figcaption>Bearbeitung <\/figcaption><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>WUNDERKAMMER: IM PRINZIP HOFFNUNG I<\/strong><\/p>\n\n\n\n<p>The Berlin Papyrus P 3024, a treasure of the Egyptian Collection in the Neues Museum, reveals the timeless search of a desperate man for a fulfilled life some 4000 years ago. The author&#8217;s words sound surprisingly personal and modern and seem to bridge the centuries. For this reason, we explore the museum and this special find with selected experts and musicians and ask: Where do we stand today? What would we answer?<br><strong>WITH <\/strong>Prof. Dr. Friederike Seyfried, Dr. Olivia Zorn (Egyptian Collection, Neues Museum Berlin), Prof. Dr. Eva Weber-Guskar (University Bochum Institute for Philosophy) and the musicians Wassim Mukdad (oud, vocals), Shingo Ali Masuda (kanun), Penelope Gkika (violin) and Kimia Bani (percussion)<\/p>\n\n\n\n<p><strong>22.\/23. M\u00e4rz 2024, Neues Museum<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.neukoellneroper.de\/performance\/wunderkammer-im-prinzip-hoffnung-i\/\">LEARN MORE<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img width=\"1100\" height=\"825\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/08\/Wuka-Hingabe-\u00a9-Sabrina-Rossetto_photoshopped-1100x825.png\" alt=\"\" class=\"wp-image-16615 size-full landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/08\/Wuka-Hingabe-\u00a9-Sabrina-Rossetto_photoshopped-1100x825.png 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/08\/Wuka-Hingabe-\u00a9-Sabrina-Rossetto_photoshopped-768x576.png 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/08\/Wuka-Hingabe-\u00a9-Sabrina-Rossetto_photoshopped-1536x1152.png 1536w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/08\/Wuka-Hingabe-\u00a9-Sabrina-Rossetto_photoshopped-50x38.png 50w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/08\/Wuka-Hingabe-\u00a9-Sabrina-Rossetto_photoshopped.png 2016w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-xi-hingabe-engagement\/\" data-type=\"play\" data-id=\"16953\">WUNDERKAMMER XI: HINGABE &amp; ENGAGEMENT<\/a><\/strong><\/p>\n\n\n\n<p>In contrast to a present oriented toward effectiveness and utility, there is a great virtue of &#8220;waste&#8221;: devotion. It is one of the wonders of the human species &#8211; what would be our cooperation, what would be the history of mankind without devotion?<\/p>\n\n\n\n<p><strong>16 Oktober 2023, Neuk\u00f6llner Oper<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img width=\"1100\" height=\"786\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/06\/Wunderkammer_Sanduhr_Fotocredit_Sabrina_Rossetto-1-1100x786.jpg\" alt=\"\" class=\"wp-image-16472 size-full landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/06\/Wunderkammer_Sanduhr_Fotocredit_Sabrina_Rossetto-1-1100x786.jpg 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/06\/Wunderkammer_Sanduhr_Fotocredit_Sabrina_Rossetto-1-768x549.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/06\/Wunderkammer_Sanduhr_Fotocredit_Sabrina_Rossetto-1-1536x1097.jpg 1536w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/06\/Wunderkammer_Sanduhr_Fotocredit_Sabrina_Rossetto-1-2048x1463.jpg 2048w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/06\/Wunderkammer_Sanduhr_Fotocredit_Sabrina_Rossetto-1-50x36.jpg 50w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-x-zeit-formen\/\" data-type=\"play\" data-id=\"16547\">WUNDERKAMMER X: ZEIT.FORMEN<\/a><\/strong><\/p>\n\n\n\n<p>With the natural scientist and philosopher Norman Sieroka, the psychologist and dancer Miriam Ruess, the soprano Josefine G\u00f6hmann and the musicians Nico Meinhold and Hilary Jeffery, we look at scientific and philosophical concepts about objective and subjective, socially determined and individual time and test possibilities to experience time differently and to be able to shape it for ourselves.<\/p>\n\n\n\n<p><strong>6\/7 September 2023, Museum f\u00fcr Kommunikation Berlin<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img width=\"1100\" height=\"804\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Jan_Brueghel_the_Elder_Brussels_1568-Antwerp_1625_-_Adam_and_Eve_in_the_Garden_of_Eden_-_RCIN_405512_-_Royal_Collection_CMYK-1100x804.jpg\" alt=\"\" class=\"wp-image-12871 size-full landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Jan_Brueghel_the_Elder_Brussels_1568-Antwerp_1625_-_Adam_and_Eve_in_the_Garden_of_Eden_-_RCIN_405512_-_Royal_Collection_CMYK-1100x804.jpg 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Jan_Brueghel_the_Elder_Brussels_1568-Antwerp_1625_-_Adam_and_Eve_in_the_Garden_of_Eden_-_RCIN_405512_-_Royal_Collection_CMYK-768x562.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Jan_Brueghel_the_Elder_Brussels_1568-Antwerp_1625_-_Adam_and_Eve_in_the_Garden_of_Eden_-_RCIN_405512_-_Royal_Collection_CMYK-50x37.jpg 50w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Jan_Brueghel_the_Elder_Brussels_1568-Antwerp_1625_-_Adam_and_Eve_in_the_Garden_of_Eden_-_RCIN_405512_-_Royal_Collection_CMYK.jpg 1500w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-iv-sehnsucht-nach-schoenheit\/\" data-type=\"play\" data-id=\"11471\">WUNDERKAMMER VI: LONGING FOR BEAUTY<\/a><\/strong><\/p>\n\n\n\n<p>Summer evening in an extraordinary echo chamber: an Oriental garden. Where else could we encounter the great question of beauty more enclosed and vivid than here? To trace the mysterious power that beauty and music awaken in us? What would &#8220;beauty&#8221; be in relationships among people, in society, and to nature and the future? Could it develop a new dynamic and productive force in the social?<br>With Prof. Dr. Walter Sommerfeld (Uni Marburg), Prof. Dr. Rasha Abdel Rahman (HU Berlin), Luise Enzian (baroque harp), Tehila Nini-Goldstein (vocals), Kaan Bulak (electronics, composition)<\/p>\n\n\n\n<p><strong>15\/16\/17 June 2023, Oriental Garden\/Reception Hall, G\u00e4rten der Welt<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img width=\"1101\" height=\"734\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/12\/WK-Transhumanismus-edited.jpg\" alt=\"\" class=\"wp-image-14683 size-medium landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/12\/WK-Transhumanismus-edited.jpg 1101w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/12\/WK-Transhumanismus-edited-768x512.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/12\/WK-Transhumanismus-edited-50x33.jpg 50w\" sizes=\"auto, (max-width: 1101px) 100vw, 1101px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/www.neukoellneroper.de\/performance\/wunderkammer-ix-der-unsterbliche-mensch-oder-vom-ende-der-wunder\/\" data-type=\"play\" data-id=\"14675\"><strong>WUNDERKAMMER IX<\/strong><\/a><strong><a href=\"https:\/\/www.neukoellneroper.de\/performance\/wunderkammer-ix-der-unsterbliche-mensch-oder-vom-ende-der-wunder\/\" data-type=\"play\" data-id=\"14675\">: Der unsterbliche Mensch   oder vom Ende Der Wunder<\/a><\/strong><\/p>\n\n\n\n<p>Hasn&#8217;t it always been a dream of mankind to escape its own limitations? Will it be fulfilled in this century when nanobots repair the body and transhumanism promises eternal life?<\/p>\n\n\n\n<p><strong>WITH<\/strong> Dr. Christopher Coenen (Institute for Technology Assessment and Systems Analysis at KIT) and music by the Teichmann brothers (live electronics, sound objects) and Sebastian Lange (wind instruments).<\/p>\n\n\n\n<p><strong>CONCEPTION<\/strong> Bernhard Glocksin, Sabrina Rossetto, Christopher Coenen <strong>MODERATION<\/strong> Bernhard Glocksin<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img width=\"1100\" height=\"786\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/12\/WK-Tiere-1100x786.jpg\" alt=\"\" class=\"wp-image-14667 size-medium landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/12\/WK-Tiere-1100x786.jpg 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/12\/WK-Tiere-768x548.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/12\/WK-Tiere-1536x1097.jpg 1536w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/12\/WK-Tiere-2048x1463.jpg 2048w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/12\/WK-Tiere-50x36.jpg 50w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><a href=\"https:\/\/www.neukoellneroper.de\/performance\/wunderkammer-viii-tiere-sehen\/\" data-type=\"play\" data-id=\"14666\">WUNDERKAMMER VIII: Tiere Sehen<\/a><\/strong><\/p>\n\n\n\n<p>The fox on the sidewalk, the crow in the park, the neighbor\u2019s dog: in cities we get closer \u2013 but what do we know about each other? What do we see in animals and what happens when the gaze of an animal hits us?<\/p>\n\n\n\n<p><strong>WITH&nbsp;<\/strong>Prof. Dr. Katja Liebal (University of Leipzig, AG Human Biology and Primate Cognition), Prof. Dr. Klaus Fitschen (University of Leipzig, Church History) and the musicians Miguel P\u00e9rez I\u00f1esta (Clarinet) and Kaan Bulak (Electronics)<br><strong>CONCEPTION AND REVIEW&nbsp;<\/strong>Bernhard Glocksin, Sabrina Rossetto&nbsp;<strong>MODERATION<\/strong>&nbsp;Bernhard Glocksin<br><strong>Museum f\u00fcr Naturkunde, 6. &amp; 7. Februar 2023 <\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img width=\"1100\" height=\"734\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/09\/Wunderkammer-1100x734.jpg\" alt=\"\" class=\"wp-image-13611 size-full landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/09\/Wunderkammer-1100x734.jpg 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/09\/Wunderkammer-768x512.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/09\/Wunderkammer-50x33.jpg 50w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/09\/Wunderkammer.jpg 1297w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/welt-ohne-bilder\/\" data-type=\"play\" data-id=\"13745\">WUNDERKAMMER VII: World without Pictures?<\/a><br>hosted by blind experts<\/strong><\/p>\n\n\n\n<p>We are happy to be guests of blind experts in November. With them we will experience music between spatial sound and artistic interpretation and learn about an environment that we as sighted people share with blind people and yet is so different. A world we don&#8217;t have to be afraid of\u2026<\/p>\n\n\n\n<p>With Prof. Dr. Dino Capovilla (Uni W\u00fcrzburg), Dr. Roland Zimmermann (HU Berlin), Fanny D\u00e4uper as well as Miguel P\u00e9rez I\u00f1esta (musical direction, clarinet) and other members of the ZAFRAAN Ensemble.<\/p>\n\n\n\n<p><strong>11 &amp; 12 November 2022, Siemens-Villa\/Berlin-Steglitz<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Wunderkammer-III_Titelbild.jpg);background-position:50% 50%\"><img width=\"1024\" height=\"749\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Wunderkammer-III_Titelbild.jpg\" alt=\"\" class=\"wp-image-10191 size-full landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Wunderkammer-III_Titelbild.jpg 1024w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Wunderkammer-III_Titelbild-768x562.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Wunderkammer-III_Titelbild-50x37.jpg 50w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-iii-pilze\/\" data-type=\"play\" data-id=\"10202\"><strong>WUNDERKAMMER III: Fungi<\/strong><br><strong>WHY WE ARE NO INDIVIDUALS<\/strong><\/a><\/p>\n\n\n\n<p>They make us wonder, sing, and see the world differently: Fungi and especially mycelia, their underground network of filamentous stolons, reveal fascinating patterns of intelligence, communication and organization &#8211; including that we are not individuals in the classical sense of the word. Inspirations for meeting the challenges of our time? With Prof. Dr. Vera Meyer, microbiologist (TU Berlin), Prof. Dr. Jens Krause (HU Berlin), Markus Syperek (musical direction) and other musicians with music from Monteverdi to the present<br><strong>Prinzessinnengarten and Kiezkapelle<\/strong><strong style=\"font-size: revert;\">, 29 September &#8211; 1 October 2<\/strong><strong>022<\/strong>.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img width=\"1100\" height=\"804\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Jan_Brueghel_the_Elder_Brussels_1568-Antwerp_1625_-_Adam_and_Eve_in_the_Garden_of_Eden_-_RCIN_405512_-_Royal_Collection_CMYK-1100x804.jpg\" alt=\"\" class=\"wp-image-12871 size-full landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Jan_Brueghel_the_Elder_Brussels_1568-Antwerp_1625_-_Adam_and_Eve_in_the_Garden_of_Eden_-_RCIN_405512_-_Royal_Collection_CMYK-1100x804.jpg 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Jan_Brueghel_the_Elder_Brussels_1568-Antwerp_1625_-_Adam_and_Eve_in_the_Garden_of_Eden_-_RCIN_405512_-_Royal_Collection_CMYK-768x562.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Jan_Brueghel_the_Elder_Brussels_1568-Antwerp_1625_-_Adam_and_Eve_in_the_Garden_of_Eden_-_RCIN_405512_-_Royal_Collection_CMYK-50x37.jpg 50w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Jan_Brueghel_the_Elder_Brussels_1568-Antwerp_1625_-_Adam_and_Eve_in_the_Garden_of_Eden_-_RCIN_405512_-_Royal_Collection_CMYK.jpg 1500w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-v-musik-im-kopf\/\" data-type=\"play\" data-id=\"11456\">WUNDERKAMMER VI: LONGING FOR BEAUTY<\/a><\/strong><\/p>\n\n\n\n<p>Summer evening in an extraordinary echo chamber: an Oriental garden. Where else could we encounter the great question of beauty more enclosed and vivid than here? To trace the mysterious power that beauty and music awaken in us? What would &#8220;beauty&#8221; be in relationships among people, in society, and to nature and the future? Could it develop a new dynamic and productive force in the social?<br>With Prof. Dr. Walter Sommerfeld (Uni Marburg), Prof. Dr. Rasha Abdel Rahman (HU Berlin), Luise Enzian (baroque harp), Tehila Nini-Goldstein (vocals), Kaan Bulak (electronics, composition)<\/p>\n\n\n\n<p><strong>7 &amp; 8 July 2022 , Oriental Garden\/Reception Hall, G\u00e4rten der Welt<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img width=\"1100\" height=\"522\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Wk-Musik-Quer-1-1100x522.jpg\" alt=\"\" class=\"wp-image-11569 size-full landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Wk-Musik-Quer-1-1100x522.jpg 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Wk-Musik-Quer-1-768x364.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Wk-Musik-Quer-1-1536x729.jpg 1536w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Wk-Musik-Quer-1-2048x972.jpg 2048w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/01\/Wk-Musik-Quer-1-50x24.jpg 50w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-v-musik-im-kopf\/\" data-type=\"play\" data-id=\"11456\"><strong>WUNDERKAMMER V: MUSIK IM KOPF<\/strong> <\/a><\/p>\n\n\n\n<p>What would life be without music? But where does it come from? Is it inscribed in our DNA? What happens when we listen and play, what roles do the head and body play here? And what can current research tell us about this? With Prof. Dr. Eckart Altenm\u00fcller (HfM Hannover), Dr. Daniel Miklody and Prof. Dr. Benjamin Blankertz (FU Berlin\/Berlin Brain Computer Interface), Christopher Verworner (composer, pianist). &nbsp;<\/p>\n\n\n\n<p><strong>10\/11 May 2022, Neuk\u00f6llner Oper<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2021\/09\/Wunderkammer_IV_210914-1.jpg);background-position:48% 0%\"><img width=\"781\" height=\"1000\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2021\/09\/Wunderkammer_IV_210914-1.jpg\" alt=\"\" class=\"wp-image-9733 size-full portrait\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2021\/09\/Wunderkammer_IV_210914-1.jpg 781w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2021\/09\/Wunderkammer_IV_210914-1-768x983.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2021\/09\/Wunderkammer_IV_210914-1-39x50.jpg 39w\" sizes=\"auto, (max-width: 781px) 100vw, 781px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-iv\/\" data-type=\"play\" data-id=\"9877\">WUNDERKAMMER IV: THE BODY AS A MARVEL<\/a><\/strong><\/p>\n\n\n\n<p>Invitation to a blind date with the most important partner &#8211; our body and mind. Meeting point: Schinkel&#8217;s Rotunda in the Altes Museum, where Asklepios, the great physician of antiquity, watches us. With Prof. Dr. Tobias Esch (Uni Witten Herdecke), Dr. Mona Schrempf (among others HU Berlin), Wu Wei (Sheng and other traditional Chinese instruments), Niko Meinhold (harp, glockenspiel and others).<br><strong>Schinkel-Rotunda at Altes Museum Berlin<\/strong>, <strong>12-14 November 2021<\/strong>.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Wunderkammer-III_Titelbild.jpg);background-position:50% 50%\"><img width=\"1024\" height=\"749\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Wunderkammer-III_Titelbild.jpg\" alt=\"\" class=\"wp-image-10191 size-full landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Wunderkammer-III_Titelbild.jpg 1024w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Wunderkammer-III_Titelbild-768x562.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/Wunderkammer-III_Titelbild-50x37.jpg 50w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-iii-pilze\/\" data-type=\"play\" data-id=\"10202\"><strong>WUNDERKAMMER III: Fungi<\/strong><br><strong>WHY WE ARE NO INDIVIDUALS<\/strong><\/a><\/p>\n\n\n\n<p>They make us wonder, sing, and see the world differently: Fungi and especially mycelia, their underground network of filamentous stolons, reveal fascinating patterns of intelligence, communication and organization &#8211; including that we are not individuals in the classical sense of the word. Inspirations for meeting the challenges of our time? With Prof. Dr. Vera Meyer, microbiologist (TU Berlin), Prof. Dr. Jens Krause (HU Berlin), Markus Syperek (musical direction) and other musicians* with music from Monteverdi to the present<br><strong>Prinzessinnengarten and Kiezkapelle<\/strong><strong style=\"font-size: revert;\">, 9-11 September 2021<\/strong>.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/wunderkammer-II_Titelfoto-rotated-540x463.jpg);background-position:100% 100%\"><img width=\"540\" height=\"463\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/wunderkammer-II_Titelfoto-rotated-540x463.jpg\" alt=\"\" class=\"wp-image-6667 size-medium landscape\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-ii-die-traeume-des-alexander-von-humboldt\/\" data-type=\"play\" data-id=\"6776\"><strong>WUNDERKAMMER II &#8211; Imagination and Scent<\/strong><\/a><br><strong>THE DREAMS OF ALEXANDER VON HUMBOLDT. A journey of sound and smell to Mexico<\/strong>.<br>Composer Diana Syrse, soprano Ana Schwedhelm and neuroscientist Anna D&#8217;Errico (Goethe University &amp; Max Planck Institute Frankfurt) lead an expedition of the inner senses.<br><strong>Kiezkapelle, 23 &amp; 24 Oktober 2020<\/strong> and <strong>17-19 March 2022<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/07\/Wunderkammer_Postkarte-e1599585450464-1100x555.png);background-position:44% 43%\"><img width=\"1100\" height=\"555\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/07\/Wunderkammer_Postkarte-e1599585450464-1100x555.png\" alt=\"\" class=\"wp-image-6661 size-full landscape\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/07\/Wunderkammer_Postkarte-e1599585450464-1100x555.png 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/07\/Wunderkammer_Postkarte-e1599585450464-768x388.png 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/07\/Wunderkammer_Postkarte-e1599585450464-1536x775.png 1536w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/07\/Wunderkammer_Postkarte-e1599585450464-2048x1033.png 2048w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/07\/Wunderkammer_Postkarte-e1599585450464-50x25.png 50w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-die-luft-zwischen-den-saiten\/\" data-type=\"play\" data-id=\"6259\"><strong>WUNDERKAMMER I &#8211; Sound and Worldview<\/strong><\/a><br><strong>THE AIR BETWEEN THE STRINGS.<\/strong><br>A journey with baroque harpist Luise Enzian to the origins of music history and into the echo chamber of the Renaissance, with insights into the world, the central role of music, small experiments and sound pictures by Lena Wenta.<br><strong>Neuk\u00f6llner Oper\/Hall, 19 &amp; 20 September 2020.<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<p class=\"has-small-font-size\">Photos: \u00a9 Sabrina Rossetto, Nancy Ludwig, Alexander Savin (WikiCommons)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eine neue Erlebnisreihe auf der Suche nach neuen Erfahrungsr\u00e4umen von Musik und Narration. <\/p>\n","protected":false},"featured_media":8621,"parent":0,"template":"","meta":{"_subtitle":"<strong>MUSIC   WORLD   WONDER<\/strong>","_locale":"en_US","_original_post":"https:\/\/www.neukoellneroper.de\/?post_type=play&p=6740","_performance_start":"2021-09-19T00:00:00","_performance_end":"","_performance_bilettix_event_id":"","_performance_sales_info":"","_performance_sold_out_info":"","_performance_premiereless":true,"_pinkie_id":0,"_cast":[],"footnotes":""},"event_type":[39],"event_format":[],"class_list":["post-10368","play","type-play","status-publish","has-post-thumbnail","hentry","event_type-wunderkammer","en-US"],"_links":{"self":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/10368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play"}],"about":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/types\/play"}],"version-history":[{"count":55,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/10368\/revisions"}],"predecessor-version":[{"id":19730,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/10368\/revisions\/19730"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media\/8621"}],"wp:attachment":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media?parent=10368"}],"wp:term":[{"taxonomy":"event_type","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/event_type?post=10368"},{"taxonomy":"event_format","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/event_format?post=10368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}