{"id":11945,"date":"2022-02-28T16:07:20","date_gmt":"2022-02-28T15:07:20","guid":{"rendered":"https:\/\/www.neukoellneroper.de\/?post_type=play&#038;p=11945"},"modified":"2025-03-28T12:06:17","modified_gmt":"2025-03-28T11:06:17","slug":"the-present-rettet-die-welt-cry-me-a-river","status":"publish","type":"play","link":"https:\/\/www.neukoellneroper.de\/en\/performance\/the-present-rettet-die-welt-cry-me-a-river\/","title":{"rendered":"The Present Saves the World:<br \/>Cry me a River"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-rounded\"><img decoding=\"async\" width=\"1100\" height=\"619\" loading=\"lazy\"data-id=\"11881\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/02\/Buehne_CryMeARiver-1100x619.jpg\" alt=\"\" class=\"wp-image-11881\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/02\/Buehne_CryMeARiver-1100x619.jpg 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/02\/Buehne_CryMeARiver-768x432.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/02\/Buehne_CryMeARiver-1536x864.jpg 1536w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/02\/Buehne_CryMeARiver-50x28.jpg 50w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/02\/Buehne_CryMeARiver.jpg 1920w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Philipp Plum<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n\n\n<p><strong>CRY ME A RIVER<\/strong> is all about saying goodbye to traditional behaviors and cherished comforts. Saying goodbye also means mourning, and that needs to be celebrated. Consequently, this evening will also take place in a former cemetery chapel. The Kiez-Kapelle on the grounds of the Prinzessinneng\u00e4rten &#8211; the place between cemetery and urban agriculture right next to the Hermannstra\u00dfe subway station &#8211; will be transformed into an undulating landscape full of whimsical objects, spatial installations and water rituals.&nbsp;<br>Thoughtfully, yet with a lot of humor, THE PRESENT examines our present and develops a musical-theatrical evening of devotion between mockumentary, the cleansing of body, flooring and soul, early baroque choral music, Brahms&#8217; Requiem and Justin Timberlake.<\/p>\n\n\n\n<p>With Music by Lucia Ronchetti, Robert Schumann, Justin Timberlake, Johann Sebastian Bach, Giovanni Legrenzi, Johannes Brahms, Ultravox, John Bennet, Heinrich Sch\u00fctz, Franz Schubert, John Dowland, Johann Theile<\/p>\n\n\n\n<div class=\"slider\" class=\"wp-block-acv-slider\"><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"12216\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/04\/the_present_tk_1235-.jpg\" alt=\"\" title=\"\"\/><figcaption class=\"slide-caption\"><\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"12222\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/04\/the_present_tk_1553-.jpg\" alt=\"\" title=\"\"\/><figcaption class=\"slide-caption\"><\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"12227\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/04\/Zeichenflaeche-2-1100x688.png\" alt=\"\" title=\"\" width=\"1100\" height=\"688\"\/><figcaption class=\"slide-caption\"><\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"12217\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/04\/the_present_tk_1250-.jpg\" alt=\"\" title=\"\"\/><figcaption class=\"slide-caption\"><\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"12226\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/04\/Zeichenflaeche-1-1100x688.png\" alt=\"\" title=\"\" width=\"1100\" height=\"688\"\/><figcaption class=\"slide-caption\"><\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"12231\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/02\/Zeichenflaeche-3-1100x688.png\" alt=\"\" title=\"\" width=\"1100\" height=\"688\"\/><figcaption class=\"slide-caption\"><\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"12223\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/04\/the_present_tk_1584-.jpg\" alt=\"\" title=\"\"\/><figcaption class=\"slide-caption\"><\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"12220\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/04\/the_present_tk_1401-.jpg\" alt=\"\" title=\"\"\/><figcaption class=\"slide-caption\"><\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Foto: \u00a9 Thomas Koy<\/p>\n\n\n\n<p class=\"has-00-aa-4-f-background-color has-background\">The three ladies and two gentlemen of the solo vocal ensemble THE PRESENT have taken on a lot: In three parts from March to July, they invite you to save the world for a change &#8211; in places that are inextricably linked to Berlin&#8217;s transformation and a new understanding of nature and the city. Working collectively with director and writer Therese Schmidt and set designer Hsuan Huang, they have created three musical evenings that confront the climate crisis with complete hubris and a twinkle in their eyes &#8211; whether those eyes are laughing or crying, only you can decide.<\/p>\n\n\n\n<p class=\"has-text-align-center has-ffffff-color has-8777-b-2-background-color has-text-color has-background\"><strong>LOCATION<\/strong><br>Kiezkapelle<br>Hermannstra\u00dfe 102<br>12051 Berlin<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>WITH<\/strong> Florian Hille, Will Frost, Hanna Herfurtner, Am\u00e9lie Saadia, Olivia Stahn<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>CONCEPT<\/strong> Hanna Herfurtner, Hsuan Huang, Am\u00e9lie Saadia, Therese Schmidt, Olivia Stahn <strong>ARRANGEMENTS<\/strong> Am\u00e9lie Saadia <strong>DIRECTION<\/strong> Therese Schmidt <strong>SET DESIGN<\/strong> Hsuan Huang <strong>DRAMATURGY<\/strong> \u00c4nne-Marthe K\u00fchn<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">A production of Neuk\u00f6llner Oper in cooperation with<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Einf\u00fchrung zu The Present trettet die Welt mit Dramaturgin \u00c4nne-Marthe K\u00fchn\" width=\"1680\" height=\"945\" src=\"https:\/\/www.youtube.com\/embed\/PbDNX9inqqk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><section class=\"cookie-wall\"><h2 class=\"widget-title\">Here you will find content from an external source.<\/h2>\t\t\t<div class=\"textwidget\"><p>This website uses cookies &#8211; you can find more information about this and your rights as a user in our <a href=\"\/en\/datenschutz\/\">privacy policy<\/a> at the end of the page. Click on &#8220;I agree&#8221; to accept cookies and visit our website directly.<\/p>\n<p><a class=\"wp-block-button__link\" href=\"#CCM.openWidget\">Cookies bearbeiten<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n\t\t<\/section>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img width=\"510\" height=\"662\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/02\/Kiezkapelle_hoch.png\" alt=\"\" class=\"wp-image-11777\" style=\"width:128px;height:166px\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/02\/Kiezkapelle_hoch.png 510w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/02\/Kiezkapelle_hoch-39x50.png 39w\" sizes=\"auto, (max-width: 510px) 100vw, 510px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.neukoellneroper.de\/en\/safety\/\">HYGIENE &amp; SAFETY<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thoughtful, but with a lot of humor THE PRESENT examines our present and develops a musical-theatrical evening of devotion. <\/p>\n","protected":false},"featured_media":11881,"parent":0,"template":"","meta":{"_subtitle":"Tears, Training &amp; TriumpH: musical performative reactions on the climate crisis","_locale":"en_US","_original_post":"https:\/\/www.neukoellneroper.de\/?post_type=play&p=11779","_performance_start":"2023-03-09T00:00:00","_performance_end":"2023-03-12T23:59:59","_performance_bilettix_event_id":"53","_performance_sales_info":"<a href=\"https:\/\/www.nikolaisaal.de\/programm\/veranstaltung\/cry-me-a-river.html\">Ticketshop of Nikolaisaal<\/a>","_performance_sold_out_info":"Guest Performance at Nikolaisaal Potsdam","_performance_premiereless":false,"_pinkie_id":11884,"_cast":["10822","10837"],"footnotes":""},"event_type":[28],"event_format":[],"class_list":["post-11945","play","type-play","status-publish","has-post-thumbnail","hentry","event_type-buehnenstueck","en-US"],"_links":{"self":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/11945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play"}],"about":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/types\/play"}],"version-history":[{"count":15,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/11945\/revisions"}],"predecessor-version":[{"id":20988,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/11945\/revisions\/20988"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media\/11881"}],"wp:attachment":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media?parent=11945"}],"wp:term":[{"taxonomy":"event_type","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/event_type?post=11945"},{"taxonomy":"event_format","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/event_format?post=11945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}