{"id":14639,"date":"2022-12-05T16:36:46","date_gmt":"2022-12-05T15:36:46","guid":{"rendered":"https:\/\/www.neukoellneroper.de\/?post_type=play&p=14639"},"modified":"2023-09-06T14:36:33","modified_gmt":"2023-09-06T12:36:33","slug":"besame-mucho","status":"publish","type":"play","link":"https:\/\/www.neukoellneroper.de\/en\/performance\/besame-mucho\/","title":{"rendered":"B\u00e9same Mucho"},"content":{"rendered":"
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\u00a9 Thomas Koy \/ Artwork: Katja Schlecht<\/figcaption><\/figure>\n<\/div>\n\n\n

What does love mean? What, sending music into the world? Is there such a thing as destiny that connects the two?<\/p>\n\n\n\n

B\u00e9same mucho – how do we want to translate that: Kiss me often, kiss me hard, kiss me always? – is the hit song that a young Mexican pianist and composer made from a melody line by a Spanish piano virtuoso and composer. Since then, it has been sung around the world by Nat King Cole, Frank Sinatra, the Beatles, Placido Domingo, Diana Krall and countless others. But who were Consuelo Vel\u00e1zquez (1916-2005) and Enrique Granados (1867-1916)?<\/p>\n\n\n\n

Granados died the year Vel\u00e1zquez was born. He drowned with his wife in the waters of the English Channel; neither has found a grave to this day. A German U-boat torpedoed the ferry on its way home from the glorious premiere of his opera Goyescas at the New York Met. Had Granados anticipated his own death when he wrote that farewell scene in the opera finale, and from which the young Mexican formed B\u00e9same mucho 20 years later?<\/p>\n\n\n\n

Our Spanish-German chamber play follows the life traces and love stories of two fascinating composer personalities who never met and yet are connected in many ways. And it embraces us with the great feelings of the Spanish late romantic piano music of Enrique Granados and the Mexican hits and boleros of Consuelo Vel\u00e1zquez, played live and expanded by sound collages between Atlantic ocean depths and the afternoon heat in Mexico City.<\/p>\n\n\n\n

ARRANGEMENTS AND COMPOSITION<\/strong> Malte Giesen IDEA AND TEXT <\/strong>Albert Tola and Bernhard Glocksin DIRECTION<\/strong> Ana Cu\u00e9llar MUSICAL DIRECTION\/PLAYER<\/strong> Danai Vritsiou DESIGN<\/strong> Elionor Sintes DRAMATURGY<\/strong> Giulia Fornasier<\/p>\n\n\n\n

WITH<\/strong> Christian Camino (Granados a.o.) and Ana Schwedhelm (Vel\u00e1zquez a.o.) as well as Danai Vritsiou (piano a.o.) and Lukas Fr\u00f6hlich\/Fabian Engwicht (trumpet a.o.)<\/p>\n\n\n\n

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\u00a9 Thomas Koy<\/figcaption><\/figure>
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\u00a9 Thomas Koy<\/figcaption><\/figure>
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\u00a9 Thomas Koy<\/figcaption><\/figure>
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\u00a9 Thomas Koy<\/figcaption><\/figure>
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\u00a9 Thomas Koy<\/figcaption><\/figure>
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\u00a9 Thomas Koy<\/figcaption><\/figure>
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\u00a9 Thomas Koy<\/figcaption><\/figure>
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\u00a9 Thomas Koy<\/figcaption><\/figure>
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\u00a9 Thomas Koy<\/figcaption><\/figure>
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\u00a9 Thomas Koy<\/figcaption><\/figure><\/div>\n\n\n\n
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