{"id":16953,"date":"2023-09-04T10:30:28","date_gmt":"2023-09-04T08:30:28","guid":{"rendered":"https:\/\/www.neukoellneroper.de\/?post_type=play&#038;p=16953"},"modified":"2023-10-05T15:37:32","modified_gmt":"2023-10-05T13:37:32","slug":"wunderkammer-xi-hingabe-engagement","status":"publish","type":"play","link":"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-xi-hingabe-engagement\/","title":{"rendered":"WUNDERKAMMER XI: Hingabe &#038; Engagement"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-style-rounded\"><img width=\"1100\" height=\"825\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/08\/Wuka-Hingabe-\u00a9-Sabrina-Rossetto_photoshopped-1100x825.png\" alt=\"\" class=\"wp-image-16615\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/08\/Wuka-Hingabe-\u00a9-Sabrina-Rossetto_photoshopped-1100x825.png 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/08\/Wuka-Hingabe-\u00a9-Sabrina-Rossetto_photoshopped-768x576.png 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/08\/Wuka-Hingabe-\u00a9-Sabrina-Rossetto_photoshopped-1536x1152.png 1536w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/08\/Wuka-Hingabe-\u00a9-Sabrina-Rossetto_photoshopped-50x38.png 50w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2023\/08\/Wuka-Hingabe-\u00a9-Sabrina-Rossetto_photoshopped.png 2016w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Sabrina Rossetto<\/figcaption><\/figure>\n\n\n\n\n\n\n\n<p>In contrast to a present oriented toward effectiveness and utility, there is a great virtue of &#8220;waste&#8221;: devotion. It is one of the wonders of the human species &#8211; what would be our cooperation, what would be the history of mankind without devotion? And how strange: surrendering, letting go of much and giving up, man grows beyond himself. In love and in music we can experience what experience and dimension devotion opens up: it transcends space and time. What can musicians tell us about this, using the examples of Bach&#8217;s compositions and Arabic folk music?<\/p>\n\n\n\n<p>In the stage space of Bach&#8217;s music theater &#8220;The Devil in the Elevator&#8221;, the lobby of the &#8220;Hotel Heaven&#8221;, we will begin with a common, quite contentious investigation and with our own explorations of this special gift of man. Perhaps devotion can be further developed as an active form of communication &#8211; for daily life, in the encounter with oneself and the other(s). The hosts are the health researcher, neuroscientist, physician and author Prof. Dr. Tobias Esch, the artistic director of the Neuk\u00f6lln Opera and Wunderkammer series Bernhard Glocksin, the harpsichordist Elina Albach and the Moroccan oud virtuoso Alaa Zouiten.<\/p>\n\n\n\n<p class=\"has-00-aa-4-f-background-color has-background\"><strong>WITH <\/strong><strong>Prof. Dr. Tobias Esch (Uni Witten-Herdecke), Bernhard Glocksin, Elina Albach (Cembalo), Alaa Zouiten (Oud)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile has-ffffff-color has-000000-background-color has-text-color has-background\"><figure class=\"wp-block-media-text__media\"><img width=\"540\" height=\"463\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2022\/09\/2021_09_09_wunderkammer_-71-540x463.jpg\" alt=\"\" class=\"wp-image-14293 size-medium portrait\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>This event is part of the <strong>WUNDERKAMMER-Series<\/strong>.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link has-00-aa-4-f-background-color has-background wp-element-button\" href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-2\/\">Learn More<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<p class=\"has-text-align-left has-00-aa-4-f-background-color has-background\"><strong>WUNDERKAMMER-POST<\/strong><br>Stay up to date and sign up for the Wunderkammer-Newsletter:<br><a rel=\"noreferrer noopener\" href=\"mailto:wunderkammer@neukoellneroper.de\" target=\"_blank\">wunderkammer@neukoellneroper.de<\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\" id=\"block-2cac2e11-5e52-4b9d-ad8e-d2387d6b0276\"><br>An event within the <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/wunderkammer-2\/\" data-type=\"play\" data-id=\"10368\">WUNDERKAMMER<\/a>-series in cooperation with<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\" id=\"block-2e5f28f3-bcf2-4a44-9d76-5edd06188651\"><img loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2020\/09\/print_logo_schering-stiftung.png\" alt=\"Dieses Bild hat ein leeres Alt-Attribut. Der Dateiname ist print_logo_schering-stiftung.png\"\/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>In contrast to a present oriented toward effectiveness and utility, there is a great virtue of &#8220;waste&#8221;: devotion. It is one of the wonders of the human species &#8211; what would be our cooperation, what would be the history of mankind without devotion? And how strange: surrendering, letting go of much and giving up, man [&hellip;]<\/p>\n","protected":false},"featured_media":16615,"parent":0,"template":"","meta":{"_subtitle":"An investigation in words and music from West and East","_locale":"en_US","_original_post":"https:\/\/www.neukoellneroper.de\/?post_type=play&p=16613","_performance_start":"2023-10-16T00:00:00","_performance_end":"2023-10-16T23:59:59","_performance_bilettix_event_id":"87","_performance_sales_info":"","_performance_sold_out_info":" ","_performance_premiereless":false,"_pinkie_id":0,"_cast":[],"footnotes":""},"event_type":[39],"event_format":[81],"class_list":["post-16953","play","type-play","status-publish","has-post-thumbnail","hentry","event_type-wunderkammer","event_format-saal","en-US"],"_links":{"self":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/16953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play"}],"about":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/types\/play"}],"version-history":[{"count":4,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/16953\/revisions"}],"predecessor-version":[{"id":17079,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/16953\/revisions\/17079"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media\/16615"}],"wp:attachment":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media?parent=16953"}],"wp:term":[{"taxonomy":"event_type","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/event_type?post=16953"},{"taxonomy":"event_format","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/event_format?post=16953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}