{"id":19117,"date":"2024-06-13T15:32:28","date_gmt":"2024-06-13T13:32:28","guid":{"rendered":"https:\/\/www.neukoellneroper.de\/?post_type=play&#038;p=19117"},"modified":"2025-01-21T14:52:26","modified_gmt":"2025-01-21T13:52:26","slug":"body-work","status":"publish","type":"play","link":"https:\/\/www.neukoellneroper.de\/en\/performance\/body-work\/","title":{"rendered":"BODY WORK"},"content":{"rendered":"\n<div class=\"slider\" class=\"wp-block-acv-slider\"><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"19894\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/06\/Body-Work_Key-Visual-ohne-Kreis_1920x1080-1100x619.jpg\" alt=\"Test\" title=\"\" width=\"1100\" height=\"619\"\/><figcaption class=\"slide-caption\">\u00a9 Photo: Thomas Koy \/ Graphic Design: David Sernau<\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"19899\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/06\/Body-Work_Visual-2-Andrea-1100x619.jpg\" alt=\"\" title=\"\" width=\"1100\" height=\"619\"\/><figcaption class=\"slide-caption\">\u00a9 Photo: Thomas Koy \/ Graphic Design: David Sernau<\/figcaption><\/figure><\/div>\n\n\n\n<p>Pelvis forward. Back straight. Barbell to hips. Lower down. Repeat. Don&#8217;t cry. Pain is just weakness leaving the body! Three sets of eight repetitions. Calories burned 168 kcal, weight loss 23g. These, you wimp, are deadlifts. Life is a gym: this is not a place to play. This is work. The will subdues the body, this lazy dog. The mind (coloratura soprano) controls the body (bass) and the latter is supposed to become fit, desirable, immortal. Because with the right management, death itself can be cheated. For sure. \u2026for sure\u2026<\/p>\n\n\n\n<p>Body Work is a music-theatrical workout by Laura Winkler, freely adapted from a libretto by Amy Stebbins (at the NKO SCH\u00d6NER WOHNEN), for two singers and two percussionists and runs away from the only certainty of our lives in a ludicrous, accelerating music-theatrical circuit training. Death, a running gag\u2026<\/p>\n\n\n\n<div class=\"slider\" class=\"wp-block-acv-slider\"><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"20222\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/06\/Body_work_tk_5068-1100x733.webp\" alt=\"\" title=\"\" width=\"1100\" height=\"733\"\/><figcaption class=\"slide-caption\">\u00a9 Thomas Koy<\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"20225\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/06\/Body_work_tk_5395-1100x733.webp\" alt=\"\" title=\"\" width=\"1100\" height=\"733\"\/><figcaption class=\"slide-caption\">\u00a9 Thomas Koy<\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"20227\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/06\/Body_work_tk_5458-1100x733.webp\" alt=\"\" title=\"\" width=\"1100\" height=\"733\"\/><figcaption class=\"slide-caption\">\u00a9 Thomas Koy<\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"20221\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/06\/Body_work_tk_4777-1100x768.webp\" alt=\"\" title=\"\" width=\"1100\" height=\"768\"\/><figcaption class=\"slide-caption\">\u00a9 Thomas Koy<\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"20229\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/06\/Body_work_tk_9142-1100x731.webp\" alt=\"\" title=\"\" width=\"1100\" height=\"731\"\/><figcaption class=\"slide-caption\">\u00a9 Thomas Koy<\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"20223\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/06\/Body_work_tk_5213-1100x733.webp\" alt=\"\" title=\"\" width=\"1100\" height=\"733\"\/><figcaption class=\"slide-caption\">\u00a9 Thomas Koy<\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"20224\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/06\/Body_work_tk_5233-1100x733.webp\" alt=\"\" title=\"\" width=\"1100\" height=\"733\"\/><figcaption class=\"slide-caption\">\u00a9 Thomas Koy<\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"20226\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/06\/Body_work_tk_5412-1100x733.webp\" alt=\"\" title=\"\" width=\"1100\" height=\"733\"\/><figcaption class=\"slide-caption\">\u00a9 Thomas Koy<\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"20228\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/06\/Body_work_tk_5585-1100x733.webp\" alt=\"\" title=\"\" width=\"1100\" height=\"733\"\/><figcaption class=\"slide-caption\">\u00a9 Thomas Koy<\/figcaption><\/figure><figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\"data-id=\"20230\" src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2024\/06\/Body_work_tk_9159-1100x700.webp\" alt=\"\" title=\"\" width=\"1100\" height=\"700\"\/><figcaption class=\"slide-caption\">\u00a9 Thomas Koy<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"BODY WORK - Trailer\" width=\"1680\" height=\"945\" src=\"https:\/\/www.youtube.com\/embed\/SEwAo38Ckfg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><section class=\"cookie-wall\"><h2 class=\"widget-title\">Here you will find content from an external source.<\/h2>\t\t\t<div class=\"textwidget\"><p>This website uses cookies &#8211; you can find more information about this and your rights as a user in our <a href=\"\/en\/datenschutz\/\">privacy policy<\/a> at the end of the page. Click on &#8220;I agree&#8221; to accept cookies and visit our website directly.<\/p>\n<p><a class=\"wp-block-button__link\" href=\"#CCM.openWidget\">Cookies bearbeiten<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n\t\t<\/section>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Body Work | K\u00f6rper vs. Geist #shorts  #newmusic #jazz #theatre #body\" width=\"1680\" height=\"945\" src=\"https:\/\/www.youtube.com\/embed\/RLI8WzouLqQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><section class=\"cookie-wall\"><h2 class=\"widget-title\">Here you will find content from an external source.<\/h2>\t\t\t<div class=\"textwidget\"><p>This website uses cookies &#8211; you can find more information about this and your rights as a user in our <a href=\"\/en\/datenschutz\/\">privacy policy<\/a> at the end of the page. Click on &#8220;I agree&#8221; to accept cookies and visit our website directly.<\/p>\n<p><a class=\"wp-block-button__link\" href=\"#CCM.openWidget\">Cookies bearbeiten<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n\t\t<\/section>\n<\/div><figcaption class=\"wp-element-caption\">Teaser | Body vs. Mind<\/figcaption><\/figure>\n\n\n\n<p class=\"has-text-align-center has-edba-3-d-background-color has-background\"><strong>WITH<\/strong><br>Andrea Conangla, Andrew Munn, Taiko Saito, Valentin Schuster<\/p>\n\n\n\n<p class=\"has-text-align-center has-00-aa-4-f-background-color has-background\"><strong>COMPOSITION<\/strong> Laura Winkler <strong>TEXT AND DIRECTOR<\/strong> Amy Stebbins <strong>STAGE AND COSTUME<\/strong> Christian Wiehle <strong>DRAMATURGY <\/strong>\u00c4nne-Marthe K\u00fchn <strong>CHOREOGRAPHY<\/strong> Robin Poell <strong>PRODUCTION MANAGER<\/strong> \/ <strong>DIRECTOR&#8217;S ASSISTANT <\/strong>Cara Freitag<\/p>\n\n\n\n<p>Stroboscope effects are used in BODY WORK.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pelvis forward. Back straight. Barbell to hips. Lower down. Repeat. Don&#8217;t cry. Pain is just weakness leaving the body! Three sets of eight repetitions. Calories burned 168 kcal, weight loss 23g. These, you wimp, are deadlifts. Life is a gym: this is not a place to play. This is work. The will subdues the body, [&hellip;]<\/p>\n","protected":false},"featured_media":19894,"parent":0,"template":"","meta":{"_subtitle":"A musical theatre circuit training around life and death<br>By Laura Winler (Composition) And Amy Stebbins (Libretto)<br><br>","_locale":"en_US","_original_post":"https:\/\/www.neukoellneroper.de\/?post_type=play&p=19066","_performance_start":"2024-12-03T00:00:00","_performance_end":"2025-02-14T23:59:59","_performance_bilettix_event_id":"112","_performance_sales_info":"","_performance_sold_out_info":" ","_performance_premiereless":false,"_pinkie_id":0,"_cast":[],"footnotes":""},"event_type":[28],"event_format":[80],"class_list":["post-19117","play","type-play","status-publish","has-post-thumbnail","hentry","event_type-buehnenstueck","event_format-studio","en-US"],"_links":{"self":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/19117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play"}],"about":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/types\/play"}],"version-history":[{"count":18,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/19117\/revisions"}],"predecessor-version":[{"id":20381,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/19117\/revisions\/20381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media\/19894"}],"wp:attachment":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media?parent=19117"}],"wp:term":[{"taxonomy":"event_type","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/event_type?post=19117"},{"taxonomy":"event_format","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/event_format?post=19117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}