{"id":20382,"date":"2025-01-21T15:10:16","date_gmt":"2025-01-21T14:10:16","guid":{"rendered":"https:\/\/www.neukoellneroper.de\/?post_type=play&#038;p=20382"},"modified":"2025-01-21T15:11:18","modified_gmt":"2025-01-21T14:11:18","slug":"da-gibts-kein-aber-und-kein-nein","status":"publish","type":"play","link":"https:\/\/www.neukoellneroper.de\/en\/performance\/da-gibts-kein-aber-und-kein-nein\/","title":{"rendered":"&#8220;Da gibt\u00b4s kein aber und kein nein&#8221;"},"content":{"rendered":"<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized\"><img width=\"1100\" height=\"591\" loading=\"lazy\"src=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2025\/01\/Da-gibt-es-kein-e1736348454955-1100x591.jpg\" alt=\"\" class=\"wp-image-20266\" style=\"width:521px;height:auto\" srcset=\"https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2025\/01\/Da-gibt-es-kein-e1736348454955-1100x591.jpg 1100w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2025\/01\/Da-gibt-es-kein-e1736348454955-768x413.jpg 768w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2025\/01\/Da-gibt-es-kein-e1736348454955-1536x826.jpg 1536w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2025\/01\/Da-gibt-es-kein-e1736348454955-50x27.jpg 50w, https:\/\/www.neukoellneroper.de\/wp-content\/uploads\/2025\/01\/Da-gibt-es-kein-e1736348454955.jpg 1607w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><\/figure>\n<\/div>\n\n\n<p>Curt Bloch, born in Dortmund in 1908, studied law and was banned from working in his profession from 1933, which applied to all people of Jewish faith. After increasing hostility, he fled to the Netherlands. When the systematic deportations began after the invasion of the Wehrmacht in 1942, Curt Bloch went into hiding. In his hiding place, he began to compile small magazines with poems he had written himself in August 1943. The title of the magazines: Het Onderwater-Cabaret (The Underwater Cabaret). The magazines are read by other people in hiding and their helpers. He survived his time in hiding until liberation in 1945, remaining in the Netherlands for three years after the war before emigrating to the USA. Bloch died in New York on February 14, 1975. Winfried Radeke set fourteen poems from his \u201cOnderwater Cabaret\u201d to music and arranged them in 2024<\/p>\n\n\n\n<p class=\"has-text-align-center has-8777-b-2-background-color has-background\"><strong>WITH <\/strong>Maria Thomaschke and Andreas Jocksch (vocals) and the musicians Karola El\u00dfner (saxophone), Hans-Peter Kirchberg (piano), Timofeij Sattarov (accordion), Volker Suhre (double bass)<br><br><strong>MODERATION<\/strong> Winfried Radeke<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curt Bloch, born in Dortmund in 1908, studied law and was banned from working in his profession from 1933, which applied to all people of Jewish faith. After increasing hostility, he fled to the Netherlands. When the systematic deportations began after the invasion of the Wehrmacht in 1942, Curt Bloch went into hiding. In his [&hellip;]<\/p>\n","protected":false},"featured_media":20266,"parent":0,"template":"","meta":{"_subtitle":"14 selected poems by CURT BLOCH from the \u201cUnter-Wasser-Cabaret\u201d (1943-45), set to music by Winfried Radeke","_locale":"en_US","_original_post":"https:\/\/www.neukoellneroper.de\/?post_type=play&p=20265","_performance_start":"2025-03-09T00:00:00","_performance_end":"2025-03-09T23:59:59","_performance_bilettix_event_id":"116","_performance_sales_info":"","_performance_sold_out_info":"","_performance_premiereless":false,"_pinkie_id":20266,"_cast":[],"footnotes":""},"event_type":[82],"event_format":[81],"class_list":["post-20382","play","type-play","status-publish","has-post-thumbnail","hentry","event_type-konzert","event_format-saal","en-US"],"_links":{"self":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/20382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play"}],"about":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/types\/play"}],"version-history":[{"count":2,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/20382\/revisions"}],"predecessor-version":[{"id":20384,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/play\/20382\/revisions\/20384"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media\/20266"}],"wp:attachment":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media?parent=20382"}],"wp:term":[{"taxonomy":"event_type","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/event_type?post=20382"},{"taxonomy":"event_format","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/event_format?post=20382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}