{"id":24687,"date":"2026-07-01T11:46:22","date_gmt":"2026-07-01T09:46:22","guid":{"rendered":"https:\/\/www.neukoellneroper.de\/?post_type=play&p=24687"},"modified":"2026-07-30T12:54:29","modified_gmt":"2026-07-30T10:54:29","slug":"pobelarien","status":"publish","type":"play","link":"https:\/\/www.neukoellneroper.de\/en\/performance\/pobelarien\/","title":{"rendered":"P\u00d6BELARIEN"},"content":{"rendered":"\n
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\u00a9 S\u00e9v\u00e9rine Kpoti<\/figcaption><\/figure>\n\n\n\n

In P\u00d6BELARIEN, a parasitic collective gets to work. It crawls into costumes, gnaws at arias, burrows through the canon of Western opera. It takes what feels good. The rest is discarded. Together with die schlangenknaben, the audience becomes a swarm: made up, costumed, loud, uninvited. Who is telling the story? Who is singing? Who is shining? And for whom?<\/p>\n\n\n\n

Dido does not die. Papageno catches nothing. Carmen does not come. Elisabeth does not wait.<\/p>\n\n\n\n

<\/div>\n\n\n\n
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More<\/h2>\n\n\n\n
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One room. One intoxication. One innkeeper.<\/p>\n\n\n\n

Is this still opera \u2013 or already an infestation? Opera is being invaded. Voices distort. Roles slip. Figures break apart. Who is telling the story? Who is singing? Who is shining? And for whom? Dido does not die. Papageno catches nothing. Carmen does not come. Elisabeth does not wait.<\/p>\n\n\n\n

In P\u00d6BELARIEN, a parasitic collective gets to work. It crawls into costumes, gnaws at arias, burrows through the canon of Western opera. It takes what feels good. The rest is discarded. Together with die schlangenknaben, the audience becomes a swarm: made up, costumed, loud, uninvited. A cell emerges \u2013 the score begins. It spreads: into streets and squares. It settles in. Each episode infects a new work. Each invasion transforms the body.<\/p>\n\n\n\n

#1 (26.09. – 03.10.) DIDO STIRBT NICHT
<\/strong> (after Dido and Aeneas<\/em>)<\/p>\n\n\n\n

#2 (30.10. – 1.11.) CARMEN KOMMT NICHT
<\/strong> (after Carmen<\/em>)<\/p>\n\n\n\n

#3 (13.-15.11.) PAPAGENO F\u00c4NGT NICHTS
<\/strong> (after Die Zauberfl\u00f6te<\/em>)<\/p>\n\n\n\n

#4  (10.-12.12.) ELISABETH WARTET NICHT
 <\/strong>(after Tannh\u00e4user<\/em>)<\/p>\n\n\n\n

<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Team<\/h2>\n\n\n\n
\n

 WITH <\/strong>die schlangenknaben (Carla Wierer, Jakob*, Viola Schmitzer), Joni Barnard<\/p>\n\n\n\n

PRODUCTION MANAGEMENT<\/strong> Joni Barnard STAGE & COSTUME DESIGN<\/strong> Valentin Peter Eisele<\/p>\n\n\n\n

<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

LANGUAGE <\/strong>German<\/p>\n

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Next dates<\/h3>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Sat <\/td>\n \n \n\t \n Premiere<\/span> Sold out<\/span>

Limited tickets may be available at the box office<\/p> <\/td>\n <\/tr>\n

\n Sun <\/td>\n \n \n\t \n Tickets<\/a>\n <\/td>\n <\/tr>\n
\n Fri <\/td>\n \n \n\t \n Tickets<\/a>\n <\/td>\n <\/tr>\n
\n Sat <\/td>\n \n \n\t \n Tickets<\/a>\n <\/td>\n <\/tr>\n
\n Fri <\/td>\n \n \n\t \n Tickets<\/a>\n <\/td>\n <\/tr>\n
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\n Sun <\/td>\n \n \n\t \n Tickets<\/a>\n <\/td>\n <\/tr>\n
\n Fri <\/td>\n \n \n\t \n Tickets<\/a>\n <\/td>\n <\/tr>\n
\n Sat <\/td>\n \n \n\t \n Tickets<\/a>\n <\/td>\n <\/tr>\n
\n Sun <\/td>\n \n \n\t \n Tickets<\/a>\n <\/td>\n <\/tr>\n
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\n Fri <\/td>\n \n \n\t \n Tickets<\/a>\n <\/td>\n <\/tr>\n
\n Sat <\/td>\n \n \n\t \n Tickets<\/a>\n <\/td>\n <\/tr>\n <\/tbody>\n <\/table>\n <\/div>\n","protected":false},"excerpt":{"rendered":"

In P\u00d6BELARIEN, a parasitic collective gets to work. It crawls into costumes, gnaws at arias, burrows through the canon of Western opera. It takes what feels good. The rest is discarded. Together with die schlangenknaben, the audience becomes a swarm: made up, costumed, loud, uninvited. Who is telling the story? Who is singing? Who is […]<\/p>\n","protected":false},"featured_media":24684,"parent":0,"template":"","meta":{"_subtitle":"By and with die schlangenknaben

From 26. September to 12. December 2026

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