{"id":5792,"date":"2020-06-22T17:08:17","date_gmt":"2020-06-22T15:08:17","guid":{"rendered":"https:\/\/www.neukoellneroper.de\/?post_type=play&p=5792"},"modified":"2021-09-01T21:59:49","modified_gmt":"2021-09-01T19:59:49","slug":"lost-oder-15-meter","status":"publish","type":"play","link":"https:\/\/www.neukoellneroper.de\/en\/performance\/lost-oder-15-meter\/","title":{"rendered":"LOST (1,5 m)"},"content":{"rendered":"

A ,Schwanengesang’<\/strong>
\nby Cordula D\u00e4uper\/Johannes M\u00fcller (text) and Tobias Schwencke (music)<\/strong><\/p>\n

The house concert starts with Schuberts \u201cAbschied\u201d, glasses are raised in the far distance (1.5m away), trying to get under control the nervous whipping of the tip of the foot in a fancy shoe. But discomfort grows with every bar, intensified by every romantic Seufzermotif. The lady next to that is behaving strangely \u2013 and isn\u2019t she suspiciously coughing as well? Another one has got a fever, even though she always paied for her CO2-compensation on her national flights. But it might just be the alcohol speaking. While the allegedly safe inside seems to become more and more narrow, the apocalyptic outside slips and the slightly romantically flickering dawn seems to be turning into a threat.<\/p>\n

In LOST, the team of Casting Clara<\/a> dedicates itself to those apocalyptic scenarios, that have been shaping our future vision for years now. From recent and historical predictions, political and literary visions a claustrophobic house concert develops. Rooted in Franz Schuberts last great composition \u2013 the song cycle \u201cSchwanengesang\u201d, it cross connects with Richard Wagners doomsday fantasy \u201cG\u00f6tterd\u00e4mmerung\u201d and modern protest songs. Haven’t the dystopian future visions been part of our present for a long time, maybe they always were? And why didn’t anybody tell us, that it’s THAT serious? And: How do we ever get out of here?<\/p>\n

Arrangements\/Composition\/Musical Direction: Tobias Schwencke | Director\/Text Cordula D\u00e4uper | Dramaturgy\/Text: Johannes M\u00fcller | Dramaturgy: \u00c4nne-Marthe K\u00fchn | Stage: Sylvia Rieger | Costume: Sophie du Vinage | Assistant of Direction and Production: Judith Gerhardt | Musical Assistance\/Rehearsal\/Correpetition: Insa Bernds | Costume Assistant: Pauline Claus | Stage Assistant: Ann-Laure Jullian de la Fuente | Makeup: Anne-Claire Meyer | Evening Manager: Regina Triebel<\/p>\n

With: Karla Sengteller, Fernanda Farah, Nadja Petri, Olivia Stahn, Cathrin Romeis and Tobias Schwencke (Music Director\/Grand Piano), J\u00f6rgen Brilling\/Martin Steuber (Guitar), Horia Dumitrache\/Hugo Rodr\u00edguez (Clarinet), Josa Gerhard\/N.N. (Violin), Daniel Eichholz\/N.N. (Percussion)<\/p>\n

world premiere on 22 October 2020.<\/strong><\/p>\n

TRAILER<\/h4>\n