{"id":13206,"date":"2022-07-14T18:21:23","date_gmt":"2022-07-14T16:21:23","guid":{"rendered":"https:\/\/www.neukoellneroper.de\/?p=13206"},"modified":"2022-07-14T18:21:23","modified_gmt":"2022-07-14T16:21:23","slug":"wieder-auf-der-buehne","status":"publish","type":"post","link":"https:\/\/www.neukoellneroper.de\/en\/wieder-auf-der-buehne\/","title":{"rendered":"Back on stage"},"content":{"rendered":"\n<p>From tonight on there will finally be dancing around the golden calf again at <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/paradise-lost\/\" data-type=\"play\" data-id=\"12026\">PARADISE LOST &#8211; THE GENESIS OF MUSICAL<\/a> in front of a sold-out hall, thanks to the spontaneous stepping in of Fabian Grimmeisen and the further commitment of Nathan Johns!<\/p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">Photo: Thomas Koy<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From tonight on there will finally be dancing around the golden calf again at PARADISE LOST &#8211; THE GENESIS OF MUSICAL in front of a sold-out hall, thanks to the spontaneous stepping in of Fabian Grimmeisen and the further commitment of Nathan Johns! Photo: Thomas Koy<\/p>\n","protected":false},"author":14,"featured_media":13203,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_locale":"en_US","_original_post":"https:\/\/www.neukoellneroper.de\/?p=13202","_post_author":"","_pinkie_id":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","en-US"],"_links":{"self":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/posts\/13206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/comments?post=13206"}],"version-history":[{"count":1,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/posts\/13206\/revisions"}],"predecessor-version":[{"id":13207,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/posts\/13206\/revisions\/13207"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media\/13203"}],"wp:attachment":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media?parent=13206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/categories?post=13206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/tags?post=13206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}