<\/p>\n\n\n\n
In September\/Opening<\/strong> BIG IN NEUK\u00d6LLN STUDIO 66 In October<\/strong> 1000 AIRPLANES ON THE ROOF In November<\/strong> In December<\/strong> In January 26<\/strong><\/p>\n\n\n\n GENEVIEVE MURPHY BAND In February 26<\/strong><\/p>\n\n\n\n SELEMO A SPRING OPERA April 26<\/strong><\/p>\n\n\n\n NOISE. AN ANTI-FASCIST OPERA LAST EXIT EUROPE June 26<\/strong><\/p>\n\n\n\n TARAB. An operatic ecstasy with music by Umm Kulthum In September\/OpeningHUNTERA game with hearts and basketballs by and with Liesa van der Aa and Kat Frankie\/BODIES inspired by Bj\u00f6rk’s album HOMOGENIC BIG IN NEUK\u00d6LLNGlanz&krawall’s SUPER OPERA unites voices, songs, and sounds from the neighborhood and transforms the Passagenhof into an operatic arena. STUDIO 66Six individual artists and collectives, who will appear in various productions […]<\/p>\n","protected":false},"author":5,"featured_media":22076,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_locale":"en_US","_original_post":"https:\/\/www.neukoellneroper.de\/?p=22088","_post_author":"","_pinkie_id":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-22095","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","en-US"],"_links":{"self":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/posts\/22095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/comments?post=22095"}],"version-history":[{"count":3,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/posts\/22095\/revisions"}],"predecessor-version":[{"id":22099,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/posts\/22095\/revisions\/22099"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media\/22076"}],"wp:attachment":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media?parent=22095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/categories?post=22095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/tags?post=22095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
HUNTER
A game with hearts and basketballs by and with Liesa van der Aa and Kat Frankie\/BODIES inspired by Bj\u00f6rk’s album HOMOGENIC<\/p>\n\n\n\n
Glanz&krawall’s SUPER OPERA unites voices, songs, and sounds from the neighborhood and transforms the Passagenhof into an operatic arena.<\/p>\n\n\n\n
Six individual artists and collectives, who will appear in various productions during the 2025\/26 season, will offer insights into their work in short miniature formats, thus offering a preview of the upcoming season.<\/p>\n\n\n\n
CRIME OF PASSION
Why do Carmen, Violetta, and Salome have to die on stage again and again? Anthony H\u00fcseyin and his team dare to reckon with femicide \u2013 not only on the operatic stage.<\/p>\n\n\n\n
Paige Eakin Young and her team transform Philip Glass’s 1988 science fiction opera into the present day.<\/p>\n\n\n\n
BAM!
The festival for contemporary music theater in Berlin, for Berlin’s international scene of musicians of musical theater beyond the traditional operatic form, will also be held for the first time at the NO.<\/p>\n\n\n\n
THE SECOND CHERRY ORCHARD
Wolfgang B\u00f6hmer and Martin G. Berger’s musical about a garden on which so much depends \u2013 and which is still to be sold.<\/p>\n\n\n\n
A band on stage: singing, guitar sounds, body movements in time with the music\u2026 What is that? A concert, a gig, of course. Or perhaps more? Theater? Scottish composer and performer Genevieve Murphy and her band explore the theatrical dimensions of pop concerts.<\/p>\n\n\n\n
South African composers and performers Sbusiso Shozi and Nhlanhla Mahlangu from the Johannesburg Center for the Less Good Idea approach the concept of spring anew with their chamber opera SELEMO, using body, sound, and voice. African rites of passage meet baroque splendor, Vivaldi’s string concerto The Four Seasons meets Umkhosi woMhlanga, the ritual reed dance of the Swazis. In co-production with the Komische Oper Berlin.<\/p>\n\n\n\n
The Dutch music and performance collective Club Gewalt seeks to deal with our collective fears in a kind of music-theatrical group therapy. With noise music, Club Gewalt attempts to do justice to the “noises” in our society.<\/p>\n\n\n\n
Europe \u2013 a continent, an idea, a center of power, and simultaneously a kidnapped king’s daughter. What has become of her, after more than two thousand years held hostage by various ideologies? Peter Cora Frost provides answers, personifying Europe at the table dance pole of a truck stop, on the side of a highway to freedom.<\/p>\n\n\n\n
Little known in the Western Hemisphere, singer Umm Kulthum is one of the greatest icons of classical Arabic music. Composer Nesrine Belmokh and director Sjaron Minailo dedicate an evening to Umm Kulthum, revolving around the recurring theme in her songs: love.<\/p>\n","protected":false},"excerpt":{"rendered":"