{"id":9898,"date":"2021-09-24T13:10:24","date_gmt":"2021-09-24T11:10:24","guid":{"rendered":"https:\/\/stage.neukoellneroper.de\/?p=9898"},"modified":"2022-01-25T13:16:02","modified_gmt":"2022-01-25T12:16:02","slug":"spielzeit2122","status":"publish","type":"post","link":"https:\/\/www.neukoellneroper.de\/en\/spielzeit2122\/","title":{"rendered":"Season 2021\/22"},"content":{"rendered":"\n<p>Who wants to act, needs dreams. For this we write plays and music. New ones every year, and different ones every year. Our dream remains, it tells of a fair life also for others who have fewer opportunities than us. The future begins now and through us, for a world without climate catastrophes, poverty and injustice. For this it needs a lot of inspiration, music, stories and of course and not least humor. &nbsp;<\/p>\n\n\n\n<p>So our theme is transformation &#8211; in ourselves, in society, economy, culture (institutions). To this end, we have invented eleven plays and series. Some are explicitly about climate change, like the performance series with <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/form-follows-crisis\/\" data-type=\"play\" data-id=\"10287\">THE PRESENT<\/a> and <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/das-lied-von-der-erde\/\" data-type=\"play\" data-id=\"10280\">NEW SONGS FROM THE EARTH<\/a> with the STEGREIF.orchester, activists and initiatives from Berlin and the surrounding area.<\/p>\n\n\n\n<p>Other productions revolve around aspects of change on further levels.<\/p>\n\n\n\n<p>We begin with an incomparable experience under the stars: <a href=\"https:\/\/www.neukoellneroper.de\/performance\/giovanni-eine-passion\/\" data-type=\"play\" data-id=\"8653\">GIOVANNI.EINE PASSION<\/a> asked about the possibilities and limits of self-awareness and self-expression. <a href=\"https:\/\/www.neukoellneroper.de\/performance\/berlin-karl-marx-platz\/\" data-type=\"play\" data-id=\"5936\">BERLIN KARL-MARX-PLATZ <\/a>sings the &#8220;love song&#8221; of a young couple in Neuk\u00f6lln at the beginning of the 90s, when suddenly there was only one system of values and society. <a href=\"https:\/\/www.neukoellneroper.de\/performance\/der-mann-der-sich-beethoven-nannte\/\" data-type=\"play\" data-id=\"5796\">DER MANN DER SICH BEETHOVEN NANNTE<\/a> comes back after two centuries, hears himself again in a completely different musical language and asks questions: about our cultural life and how far we have come with his credo of equality, freedom and justice. <a href=\"https:\/\/www.neukoellneroper.de\/performance\/eine-stimme-fuer-deutschland\/\" data-type=\"play\" data-id=\"8060\">EINE STIMME F\u00dcR DEUTSCHLAND<\/a> plays through oblique positions and motifs of the last election campaign once again in all musical registers, lusty, cheeky and absolutely non-pc. <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/lili\" data-type=\"play\">LILI<\/a> recalls the fascinating work and life of Lili Boulanger &#8211; why must such talents die at 24? And why are female composers so little performed to this day? With <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/schoener-wohnen\/\" data-type=\"play\" data-id=\"5982\">SCH\u00d6NER WOHNEN<\/a> Amy Stebbins and Sir Henry perform contemporary and rent-cap-misery-compatible Tiny Apartment. 25 years of vibrant, exemplary collaboration for hands-on education: On the occasion of 25 years of cooperation with the UdK degree program Musical\/Show, the team Zaufke &amp; Lund confronts us in PARADISE LOST with the beauties, challenges and dangers of the art form musical. MEXICO AURA connects Berlin with Mexico and a globalized, post(?)colonial world in an international MusikTanzTheater at the Humboldt Forum. A play around art objects, myths and everyday reality between prehispanic sounds and modern sounds of the young composer Diana Syrse.\u00a0<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Three program series spanning and deepening the season play selected venues as new stages in the city: the finalist production of <a href=\"https:\/\/www.neukoellneroper.de\/performance\/composition-berliner-opernpreis-2020\/\" data-type=\"play\" data-id=\"5396\">comPOSITION<\/a>, our BERLINER OPERNPREIS, invites you to the Kulturstall Britz, including a supporting program. The new cooperation with the vocal ensemble THE PRESENT creates performative programs on climate change at different locations. Our <a href=\"https:\/\/www.neukoellneroper.de\/performance\/wunderkammer-2\/\" data-type=\"play\" data-id=\"6740\">WUNDERKAMMER-series<\/a> &#8211; where music and current science combine to create a different view of the world &#8211; invites curious audiences to special &#8220;resonance spaces,&#8221; including the Prinzessinnengarten Neuk\u00f6lln, the Altes Museum in Mitte, and the Oriental Garden in Marzahn.<\/p>\n\n\n\n<p class=\"has-text-align-center\">Photo: Maya Alban-Zapata and Christian Kerepeszki in <a href=\"https:\/\/www.neukoellneroper.de\/en\/performance\/der-mann-der-sich-beethoven-nannte\/\" data-type=\"play\" data-id=\"10148\">Der Mann der sich Beethoven nannte<\/a> | \u00a9 Matthias Heyde  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Who wants to act, needs dreams. For this we write plays and music. New ones every year, and different ones every year. Our dream remains, it tells of a fair life also for others who have fewer opportunities than us. The future begins now and through us, for a world without climate catastrophes, poverty and [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":10405,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_locale":"en_US","_original_post":"https:\/\/www.neukoellneroper.de\/?p=9679","_post_author":"Bernhard Glocksin","_pinkie_id":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","en-US"],"_links":{"self":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/posts\/9898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/comments?post=9898"}],"version-history":[{"count":12,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/posts\/9898\/revisions"}],"predecessor-version":[{"id":11543,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/posts\/9898\/revisions\/11543"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media\/10405"}],"wp:attachment":[{"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/media?parent=9898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/categories?post=9898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.neukoellneroper.de\/wp-json\/wp\/v2\/tags?post=9898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}