by Moritz Rinke/Mathias Schönsee (direction) and Cymin Samawatie/Ketan Bhatti/Trickster Orchestra (music).
Berlin premiere on 28 November 2020
The end of the Beethoven year 2020: The Berlin Philharmonic Hall is destroyed, the orchestra finds itself covered in dust and wearing breathing masks in front of the devastated building, and in the midst of all this an odd stranger claims to be Beethoven himself. While the star conductor ruthlessly tries to keep all the orchestra’s concert dates and a young musician rebels against this autocrat, the man who calls himself Beethoven pursues the goal of reworking not only his Promethean works with a humanistic mission, but all of humanity as well:
A furious and winking reckoning with a society that even after the Enlightenment does not seem to have become one bit wiser. Under attack is a (high) culture that, instead of artistic creation, only focuses on its commodity value and a world that systematically destroys its natural habitat. Thus Beethoven, the maestro and the young woman engage in a verbal battle about what it means to recognize the human being in a human being.
The award-winning author Moritz Rinke, director Mathias Schönsee and the transcultural Trickster Orchestra weave humorous drama with Beethoven’s musical cosmos – and in doing so challenge Western White European music history in an unheard-of way.
A production in cooperation with the Theater Gütersloh, world premiere at Theater Gütersloh on 12 November 2020.