LOST (1,5 m)
A claustrophobic house concert, rooted in Schuberts last great composition, Wagners doomsday fantasy and modern protest songs. By the team of Casting Clara.
To 01. November 2020.
A claustrophobic house concert, rooted in Schuberts last great composition, Wagners doomsday fantasy and modern protest songs. By the team of Casting Clara.
Berlin’s apartment is being fragmented, divided, quartered and, from a hipsters side, drawing nearer to the state that used to be the setting of the metropolis of the 1920s. Focussing the history of the Berlin tenement such as the „Richardsburg“ a satirical living theatre is staged – with elements from slapstick, songs, dance and scenes.
Rise and Fall of Dean Reed, the “Red Elvis”
Berlin in the not too distant future: the city has lost the battle against international investors, has been upgraded. The Neuköllner Opera House also became a share deal – the new owner of the building invites to an exclusive music theatre event for a widely travelled audience: authentic music theatre as it used to be…
What would the city be without a Google campus, and what would Kreuzberg be without a few people who have little sympathy for it?
Performing a play about the war and actually only singing Abba?. Dig into the rubble and come across Atlantis. In the middle of Berlin.
A passion in which Mozart meets improvisation, electro and traditional Spanish music.
Wunderkind, piano virtuoso, composer, wife of Robert Schumann, mother of eight children, professor and working almost until her death at the age of 76 – Clara Schumann. Who was this power woman of the 19th century?
Do the good ones still have to die because the mean ones just can’t bear to be so small in spirit? DRACHENHERZ wants to pursue this question and has borrowed the great story of the Siegfried Saga in order to retell it in the here and now and above all with today’s means of the musical.
Mr. K. died. Nobody noticed. Nobody knew more about him than the fleeting greetings in passing about a human being. That and the music, he heard. Operetta music…
He had a relationship with her for years after the first failed childhood love. Growing up at the gates of Dresden, Eric Stehfest came into contact with the party drug Crystal Meth at the age of 14 in Neustadt…
The whole city is talking about Elfie. But she really doesn’t care. Because it’s not true, because no one understands, because no one is interested in what drives and what suffocates her about these people and this city.